{"id":144505,"date":"1993-01-01T00:00:00","date_gmt":"1993-01-01T00:00:00","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/el-alabastro-como-soporte-material-y-medio-de-creacion\/"},"modified":"1993-01-01T00:00:00","modified_gmt":"1993-01-01T00:00:00","slug":"el-alabastro-como-soporte-material-y-medio-de-creacion","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/ciencias-de-las-artes-y-las-letras\/el-alabastro-como-soporte-material-y-medio-de-creacion\/","title":{"rendered":"\u00abel alabastro como soporte material y medio de creacion\u00bb."},"content":{"rendered":"<h2>Tesis doctoral de <strong>  Cueto Puente M. Jes\u00fas <\/strong><\/h2>\n<p>Hemos centrado n uestra investigacion en el alabastro, como soporte material y medio de creacion. Dicha tesis consta de dos fases: una practica y experimentaly otra teorica. El cuerpus del trabajo lo hemos estructurado en cuatro capitulos:  1.- El primer capitulo, trata el alabastro en los aspectos de esencia y naturaleza formtaiva; tipolog\u00edas mineralogias ycariedades materiales.  2.El segundo capitulo, plantea los aspectos de manufactura y uso del  alabastro en un recorrido selectivo de su historia biografica, que esta subdividido en cuatro partes: las civilizaciones arqueologicas; la tecnolog\u00eda y la industria; la alabastrofia; y la escuela del alabastro.  3.- El tercer capitulo, conforma un cuerpo extenso, dado que presenta una teorizacion base, comun y esquematica a partir de y en relacion con una recopilacion partical de objetos, cuyo soporte lo conforma el alabastgro. Esta subdividido en tres partes que se complementan y corelacionan: repertorio de formas; oconografia; y conceptos.  4.- El cuarto apitulo, presenta la experimentacion plastica personal con el masterial alabastro, subdividido en dos apartados. El primer subapartado trata, el proceso experimental y el segundo subapartado, los resultados experimentales, organizados en proyectos de creacion.  completan y documentan este trabajo la relacion bibliografica seleccionada, manejada y ordenada por autores.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>\u00abel alabastro como soporte material y medio de creacion\u00bb.<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 \u00abel alabastro como soporte material y medio de creacion\u00bb. <\/li>\n<li><strong>Autor:<\/strong>\u00a0  Cueto Puente M. Jes\u00fas <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Pa\u00eds vasco\/euskal herriko unibertsitatea<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 01\/01\/1993<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Joan Sureda I Pons<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: Francisco Echauz Buisan <\/li>\n<li>Juan  Fernando De La Iglesia Gonzalez De Pereda (vocal)<\/li>\n<li> Tolosa Mar\u00edn Jos\u00e9 Lu\u00eds (vocal)<\/li>\n<li> De Soto Y Arandiga  Ramon (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Cueto Puente M. Jes\u00fas Hemos centrado n uestra investigacion en el alabastro, como soporte material y medio [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[147,4363,12909,1111],"tags":[28249,173329,4967,6786,4367,7360],"class_list":["post-144505","post","type-post","status-publish","format-standard","hentry","category-ciencias-de-las-artes-y-las-letras","category-escultura","category-pais-vasco-euskal-herriko-unibertsitatea","category-teoria-analisis-y-critica-de-las-bellas-artes","tag-cueto-puente-m-jesus","tag-de-soto-y-arandiga-ramon","tag-francisco-echauz-buisan","tag-joan-sureda-i-pons","tag-juan-fernando-de-la-iglesia-gonzalez-de-pereda","tag-tolosa-marin-jose-luis"],"_links":{"self":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/144505","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/comments?post=144505"}],"version-history":[{"count":0,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/144505\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/media?parent=144505"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/categories?post=144505"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/tags?post=144505"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}