{"id":144556,"date":"1993-01-01T00:00:00","date_gmt":"1993-01-01T00:00:00","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/aproximacion-desde-el-medio-audiovisual-a-un-artista-plastico-oteiza\/"},"modified":"1993-01-01T00:00:00","modified_gmt":"1993-01-01T00:00:00","slug":"aproximacion-desde-el-medio-audiovisual-a-un-artista-plastico-oteiza","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/ciencias-de-las-artes-y-las-letras\/aproximacion-desde-el-medio-audiovisual-a-un-artista-plastico-oteiza\/","title":{"rendered":"\u00abaproximacion desde el medio audiovisual a un artista plastico: oteiza\u00bb."},"content":{"rendered":"<h2>Tesis doctoral de <strong> Jon Inchaustegi Dominguez <\/strong><\/h2>\n<p>Figuracion -abstracion, lumiere- melies, la ficcion de lo real inversamente proporcional a d2. Sintetizan algunos de los binomios en la historia de las formas expresivas dentro de los cuales el quehacer artistco cotidiano debe intentar situarse para resolver los planteamientos de la praxis del propio medio.  &#8211; una primera parte en las que me situo en el contexto de las formas audiovisuales desde la invencion de la \u00ab\u00bbchambre claire\u00bb\u00bb, respetando la expresion de bartheus, y una segunda parte conclusiva como trabajo practico con titulo (oteiza fragmentos 88-91&#8243;\u00bb.  considero que el visionado del trabajo practico debe ser anterior a la lectura del texto teorico en el que se apoya su realizacion.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>\u00abaproximacion desde el medio audiovisual a un artista plastico: oteiza\u00bb.<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 \u00abaproximacion desde el medio audiovisual a un artista plastico: oteiza\u00bb. <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Jon Inchaustegi Dominguez <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Pa\u00eds vasco\/euskal herriko unibertsitatea<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 01\/01\/1993<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Luis Badosa Conill<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: Rodolfo Conesa Bermejo <\/li>\n<li>Joan Sureda I Pons (vocal)<\/li>\n<li>Miguel Quilez Bach (vocal)<\/li>\n<li>Domenec Corbella Llobet (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Jon Inchaustegi Dominguez Figuracion -abstracion, lumiere- melies, la ficcion de lo real inversamente proporcional a d2. Sintetizan [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[147,12909,3806,1111],"tags":[20286,6786,259333,28059,16838,36204],"class_list":["post-144556","post","type-post","status-publish","format-standard","hentry","category-ciencias-de-las-artes-y-las-letras","category-pais-vasco-euskal-herriko-unibertsitatea","category-pintura","category-teoria-analisis-y-critica-de-las-bellas-artes","tag-domenec-corbella-llobet","tag-joan-sureda-i-pons","tag-jon-inchaustegi-dominguez","tag-luis-badosa-conill","tag-miguel-quilez-bach","tag-rodolfo-conesa-bermejo"],"_links":{"self":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/144556","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/comments?post=144556"}],"version-history":[{"count":0,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/144556\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/media?parent=144556"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/categories?post=144556"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/tags?post=144556"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}