{"id":144585,"date":"1993-01-01T00:00:00","date_gmt":"1993-01-01T00:00:00","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/la-escultura-actual-como-duda-sensorial-modos-operativos-de-la-objetualidad\/"},"modified":"1993-01-01T00:00:00","modified_gmt":"1993-01-01T00:00:00","slug":"la-escultura-actual-como-duda-sensorial-modos-operativos-de-la-objetualidad","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/ciencias-de-las-artes-y-las-letras\/la-escultura-actual-como-duda-sensorial-modos-operativos-de-la-objetualidad\/","title":{"rendered":"\u00abla escultura actual como duda sensorial: modos operativos de la objetualidad\u00bb"},"content":{"rendered":"<h2>Tesis doctoral de <strong> Elena Mendizabal Eguialde <\/strong><\/h2>\n<p>La tesis se divide en tres partes. Las dos primeras, de mas extension tienen como objeto de estudio esculturas de artistas internacionales dentro del ambito occidental y mas concretamente europeo realizadas entre 1980 y 1991, la tercera parte se dedica al comentario de obras realizadas por la autora de la tesis.  la primera parte, llamada operaciones, atiende a la praxilogia que implican las obras. Se distinguen tres procederes: 1) \u00abconfigurar\u00bb o hacer una nueva forma; 2) seleccionar y ordenar formas u objetos previamente existentes (\u00abcolocacion\u00bb); 3) distinguir o \u00abmarcar\u00bb lugares, objetos o materiales genericos.  la segunda parte, llamada aspectos&#8230; Se divide en 10 capitulos.  las obras estudiadas se analizan y agrupan de modo no univoco, atendiendo a distintos aspectos perceptibles: material, factura, caracter incognito o normalizado de su forma o figura, modo de disposicion y criterio de eleccion de elementos en las instalaciones y tema (mueble, lugar).  la nocion de escultura se asocia a la de objeto o situacion objetual discreta (instalacion).<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>\u00abla escultura actual como duda sensorial: modos operativos de la objetualidad\u00bb<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 \u00abla escultura actual como duda sensorial: modos operativos de la objetualidad\u00bb <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Elena Mendizabal Eguialde <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Pa\u00eds vasco\/euskal herriko unibertsitatea<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 01\/01\/1993<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Juan  Fernando De La Iglesia Gonzalez De Pereda<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: Joan Mayne Torras <\/li>\n<li>Luis Badosa Conill (vocal)<\/li>\n<li> Tolosa Mar\u00edn Jos\u00e9 Lu\u00eds (vocal)<\/li>\n<li>Yolanda Herranz Pascual (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Elena Mendizabal Eguialde La tesis se divide en tres partes. Las dos primeras, de mas extension tienen [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[147,4363,12909,1111],"tags":[59950,237080,4367,28059,7360,37654],"class_list":["post-144585","post","type-post","status-publish","format-standard","hentry","category-ciencias-de-las-artes-y-las-letras","category-escultura","category-pais-vasco-euskal-herriko-unibertsitatea","category-teoria-analisis-y-critica-de-las-bellas-artes","tag-elena-mendizabal-eguialde","tag-joan-mayne-torras","tag-juan-fernando-de-la-iglesia-gonzalez-de-pereda","tag-luis-badosa-conill","tag-tolosa-marin-jose-luis","tag-yolanda-herranz-pascual"],"_links":{"self":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/144585","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/comments?post=144585"}],"version-history":[{"count":0,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/144585\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/media?parent=144585"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/categories?post=144585"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/tags?post=144585"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}