{"id":145498,"date":"1993-01-01T00:00:00","date_gmt":"1993-01-01T00:00:00","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/la-arquitectura-como-metafora-teatral\/"},"modified":"1993-01-01T00:00:00","modified_gmt":"1993-01-01T00:00:00","slug":"la-arquitectura-como-metafora-teatral","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/ciencias-de-las-artes-y-las-letras\/la-arquitectura-como-metafora-teatral\/","title":{"rendered":"La arquitectura como metafora teatral"},"content":{"rendered":"<h2>Tesis doctoral de <strong> Jorge Tomasa Juyol <\/strong><\/h2>\n<p>A partir del establecimiento de una metafora entre arquitectura y teatro pretendo estudiar la evolucion de la sensibilidad arquitectonica desde el movimiento moderno hasta el postmodernismo. Si la base conceptual sobre la que se cimentaron las vanguardias fue el espacio abstracto, la evolucion del concepto espacial hacia el espacio postmoderno, que he dado en llamar \u00abespacio escenico\u00bb ha devenido enriquecedora del mismo; se trata de un espacio n-dimensional, cual espacio vectorial, e incorpora dimensiones sensuales, ludicas, de habitabilidad y confort, etc&#8230; Se trata de un espacio consciente de su realidad como escenario de la vida del hombre; de ahi la metafora &#8211; si la obra teatral se desarrolla (representa) en un escenario, igualmente nuestra vida, cual obra de teatro, se desarrolla (representa) en el escenario que nos envuelve: la arquitectura.  la consciencia de ese espacio escenico, la dimension teatral de la arquitectura, creo que es la verdadera esencia positiva aportada por el postmodernismo, que enlaza con el m.M. En su afan poetico de lograr la emocion del espectador.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>La arquitectura como metafora teatral<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 La arquitectura como metafora teatral <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Jorge Tomasa Juyol <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Polit\u00e9cnica de catalunya<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 01\/01\/1993<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Josep Munta\u00f1ola Thornbergs<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: Josep Quetglas Riusech <\/li>\n<li>Jos\u00e9 Bayo Margalef (vocal)<\/li>\n<li>Jordi Oliveras Samitier (vocal)<\/li>\n<li>Xavier Ruiz Valles (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Jorge Tomasa Juyol A partir del establecimiento de una metafora entre arquitectura y teatro pretendo estudiar la [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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