{"id":145745,"date":"1993-01-01T00:00:00","date_gmt":"1993-01-01T00:00:00","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/estrategias-artisticas-de-resistencia-fragmentos-de-un-proyecto-de-intervencion-social\/"},"modified":"1993-01-01T00:00:00","modified_gmt":"1993-01-01T00:00:00","slug":"estrategias-artisticas-de-resistencia-fragmentos-de-un-proyecto-de-intervencion-social","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/ciencias-de-las-artes-y-las-letras\/estrategias-artisticas-de-resistencia-fragmentos-de-un-proyecto-de-intervencion-social\/","title":{"rendered":"\u00abestrategias artisticas de resistencia: fragmentos de un proyecto de intervencion social\u00bb"},"content":{"rendered":"<h2>Tesis doctoral de <strong> Jose Miralles Crisostomo <\/strong><\/h2>\n<p>La tesis circula alrededor de la creacion artistica como la posibilidad mas deseada de generar reflexiones que puedan, al menos, aclararnos aquellas sombras que nos envuelven. Para ello se establecen dos partes. En la primera se compila un material teorico, que nos sirve para establecer aquello que es periferico y que contextualiza socio-artisticamente la produccion de obras, pero no es considerado como la investigacion en si misma. El trayecto vaivenea desde la disidencia del romanticismo como paradigma de las respuestas individuales, relacionado con un fenomeno marcado tambien por la dimension, pero de caracter colectivo, como es la revolucion cultural, hasta llegar a la crisis del sida, no sin antes recabar en un breve analisis aquellos aspectos mas revulsivos de las vanguardias artisticas y la vuelta del arte a posturas mas criticas hacia finales de los a\u00f1os 80. La segunda parte fragmentos de un proyecto la componen las diferentes investigaciones que hemos realizado por medio de la produccion de obras, se compilan una serie de trabajos que pretenden mostrar el tipo de conocimientos que aportan para con ello desentra\u00f1ar los procesos y llegar a lo inexplicable con la tranquilidad y la inquietud de un conocimiento que no necesita ni admite plenamente ninguna explicacion.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>\u00abestrategias artisticas de resistencia: fragmentos de un proyecto de intervencion social\u00bb<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 \u00abestrategias artisticas de resistencia: fragmentos de un proyecto de intervencion social\u00bb <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Jose Miralles Crisostomo <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Polit\u00e9cnica de Valencia<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 01\/01\/1993<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Jose Saborit Viguer<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal:  Blasco Carrascosa Juan  Angel <\/li>\n<li>Carmen Senabre Llabata (vocal)<\/li>\n<li> Herrero Gomez Jos\u00e9 M. (vocal)<\/li>\n<li>Jos\u00e9 Miguel Garc\u00eda Cortes (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Jose Miralles Crisostomo La tesis circula alrededor de la creacion artistica como la posibilidad mas deseada de [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[147,3806,16820,1111],"tags":[12273,36604,10167,16879,58946,22743],"class_list":["post-145745","post","type-post","status-publish","format-standard","hentry","category-ciencias-de-las-artes-y-las-letras","category-pintura","category-politecnica-de-valencia","category-teoria-analisis-y-critica-de-las-bellas-artes","tag-blasco-carrascosa-juan-angel","tag-carmen-senabre-llabata","tag-herrero-gomez-jose-m","tag-jose-miguel-garcia-cortes","tag-jose-miralles-crisostomo","tag-jose-saborit-viguer"],"_links":{"self":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/145745","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/comments?post=145745"}],"version-history":[{"count":0,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/145745\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/media?parent=145745"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/categories?post=145745"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/tags?post=145745"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}