{"id":145752,"date":"1993-01-01T00:00:00","date_gmt":"1993-01-01T00:00:00","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/ignacio-pinazo-camarlench-dibujante-las-claves-de-su-obra-grafica\/"},"modified":"1993-01-01T00:00:00","modified_gmt":"1993-01-01T00:00:00","slug":"ignacio-pinazo-camarlench-dibujante-las-claves-de-su-obra-grafica","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/ciencias-de-las-artes-y-las-letras\/ignacio-pinazo-camarlench-dibujante-las-claves-de-su-obra-grafica\/","title":{"rendered":"Ignacio pinazo camarlench, dibujante. las claves de su obra grafica."},"content":{"rendered":"<h2>Tesis doctoral de <strong> Guillermo Ramos Mestre <\/strong><\/h2>\n<p>Tal como el titulo indica, la tesis centra su interes en la reflexion sobre la actitud vital y plastica de ignacio pinazo y en el estudio de los valores graficos de su obra dibujada, en su mayoria practicamente inedita. Se trata, por lo tanto, de mostrar la originalidad, la riqueza y, al mismo tiempo, la vigencia actual de la trayectoria de un artista nacido y formado en la limitacion mas rigurosa y como es precisamente la profundizacion en su mundo mas personal lo que le permite escapar de cualquier limitacion. Para ello, se centran los argumentos en la exploracion de sus miles de dibujos, ubicandolos en el conjunto de su obra y analizando la utilizacion que hace el artista de los elementos graficos: la linea, el grafismo, la mancha, el movimiento, la composicion &#8230;  las conclusiones de la tesis nos permiten una vision notablemente enriquecida de los dibujos, asi como una afirmacion solidamente fundamentada en su ejemplo, de la vigencia de los valores que encierra la practica cotidiana del dibujo como medio de expresion y creacion en si mismo.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Ignacio pinazo camarlench, dibujante. las claves de su obra grafica.<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Ignacio pinazo camarlench, dibujante. las claves de su obra grafica. <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Guillermo Ramos Mestre <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Polit\u00e9cnica de Valencia<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 01\/01\/1993<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Carmen Lloret Ferrandiz<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal:  Gimeno Baquero Victor Manuel <\/li>\n<li> Navarro Lizandra Jos\u00e9 Luis (vocal)<\/li>\n<li>Ramon Gil Alcaide (vocal)<\/li>\n<li> March Ramos Jos\u00e9 Luis (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Guillermo Ramos Mestre Tal como el titulo indica, la tesis centra su interes en la reflexion sobre [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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