{"id":146475,"date":"1994-01-01T00:00:00","date_gmt":"1994-01-01T00:00:00","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/la-recepcion-dramatica-aplicacion-al-teatro-de-rojas-zorrilla\/"},"modified":"1994-01-01T00:00:00","modified_gmt":"1994-01-01T00:00:00","slug":"la-recepcion-dramatica-aplicacion-al-teatro-de-rojas-zorrilla","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/linguistica\/la-recepcion-dramatica-aplicacion-al-teatro-de-rojas-zorrilla\/","title":{"rendered":"La recepcion dramatica. aplicacion al teatro de rojas zorrilla"},"content":{"rendered":"<h2>Tesis doctoral de <strong>  Julio Gimenez M. Teresa <\/strong><\/h2>\n<p>El drama es un acto comunicativo complejo que va del autor al espectador a traves de la representacion, es decir del canal del escenario y sus elementos (personajes, decorado, etc.). Como en toda comunicacion, hay un diferencial informativo a favor del emisor sobre el receptor. En el teatro este diferencial es muy superior por la descontextualizacion inicial del espectador acerca del particular mundo posible en que se inscribe la obra. Para ello, se postulan cuatro recursos informativos basicos: (1) la informacion verbal y (2) visual, que proporciona la esceneficacion, junto con (3) la competencia pragmatica y (4) literaria, que aporta el propio espectador y le permite interpretar literal e inferencialmente los datos tanto linguisticos como dramaticos, asi como integrar progresivamente sus respectivos significados. Entre estos recursos existe una variedad de tecnicas y estrategias que responden de distinto modo al imperativo de conferir la maxima rapidez y naturalidad al suministro de la informacion adicional y hasta permiten &#8211;al menos eventualmente&#8211; vislumbrar criterios particulares de calidad literaria. La tesis presenta una tipolog\u00eda de estos diferentes recursos aplicados al teatro de rojas zorrilla.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>La recepcion dramatica. aplicacion al teatro de rojas zorrilla<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 La recepcion dramatica. aplicacion al teatro de rojas zorrilla <\/li>\n<li><strong>Autor:<\/strong>\u00a0  Julio Gimenez M. Teresa <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Barcelona<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 01\/01\/1994<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Rosa Navarro Dur\u00e1n<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: Jos\u00e9 Manuel Blecua Perdices <\/li>\n<li>Jos\u00e9 Nicolas Romera Castillo (vocal)<\/li>\n<li>Albert Blecua Perdices (vocal)<\/li>\n<li>Jos\u00e9 Mar\u00eda Reyes Cano (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Julio Gimenez M. Teresa El drama es un acto comunicativo complejo que va del autor al espectador [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[148,951,147,3925,59,62,628],"tags":[1365,13618,1364,5039,261403,1362],"class_list":["post-146475","post","type-post","status-publish","format-standard","hentry","category-analisis-literario","category-barcelona","category-ciencias-de-las-artes-y-las-letras","category-estilo-y-retorica","category-linguistica","category-linguistica-sincronica","category-teoria-analisis-y-critica-literarios","tag-albert-blecua-perdices","tag-jose-manuel-blecua-perdices","tag-jose-maria-reyes-cano","tag-jose-nicolas-romera-castillo","tag-julio-gimenez-m-teresa","tag-rosa-navarro-duran"],"_links":{"self":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/146475","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/comments?post=146475"}],"version-history":[{"count":0,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/146475\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/media?parent=146475"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/categories?post=146475"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/tags?post=146475"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}