{"id":146503,"date":"1994-01-01T00:00:00","date_gmt":"1994-01-01T00:00:00","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/sobre-la-composicion-sobre-el-sentido-de-la-entropia-y-de-la-armonia-en-la-ordenacion-del-espacio-bidimensional\/"},"modified":"1994-01-01T00:00:00","modified_gmt":"1994-01-01T00:00:00","slug":"sobre-la-composicion-sobre-el-sentido-de-la-entropia-y-de-la-armonia-en-la-ordenacion-del-espacio-bidimensional","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/ciencias-de-las-artes-y-las-letras\/sobre-la-composicion-sobre-el-sentido-de-la-entropia-y-de-la-armonia-en-la-ordenacion-del-espacio-bidimensional\/","title":{"rendered":"Sobre la composicion. sobre el sentido de la entropia y de la armonia en la ordenacion del espacio bidimensional."},"content":{"rendered":"<h2>Tesis doctoral de <strong> Carlos Mauricio Falgueras <\/strong><\/h2>\n<p>Composicion; de componer, de como poner y disponer en el tiempo y en el espacio, los diferentes elementos compositivos. I. El numero como simbolo de armonia u orden. La magnitud y la medida.  ii. La numerolog\u00eda. Sistematizacion de las siete artes liberales.  iii. La geometria. La \u00abgeometria fabrorum\u00bb de los gremios artesanales.  iv. Las proporciones.  v. Las simetrias.  vi. Los formatos. El formato como espacio operante.  vii. Los diagramas compositivos.  las tramas compositivas de caracter biologico y naturaleza material.  viii. Las estructuras compositivas, caracter simbolico y naturaleza espiritual.  ix. Esquemas compositivos, caracter cultural, naturaleza intelectual.  x. Los remedos o \u00abremakes\u00bb iconicos. Iconografia y composicion.  xi.  la armonia como conclusion.  la imagen como sintesis de conocimiento.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Sobre la composicion. sobre el sentido de la entropia y de la armonia en la ordenacion del espacio bidimensional.<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Sobre la composicion. sobre el sentido de la entropia y de la armonia en la ordenacion del espacio bidimensional. <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Carlos Mauricio Falgueras <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Barcelona<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 01\/01\/1994<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Josep Mata Benedicto<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: Josep Mar\u00eda Jori Gomila <\/li>\n<li> Pouplana I Sole Xavier (vocal)<\/li>\n<li> Arola I Farre Raimon (vocal)<\/li>\n<li>Marci\u00ed\u00a0 Codinachs Riera (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Carlos Mauricio Falgueras Composicion; de componer, de como poner y disponer en el tiempo y en el [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[951,147,4363,1111],"tags":[261432,83010,62021,193943,15770,261431],"class_list":["post-146503","post","type-post","status-publish","format-standard","hentry","category-barcelona","category-ciencias-de-las-artes-y-las-letras","category-escultura","category-teoria-analisis-y-critica-de-las-bellas-artes","tag-arola-i-farre-raimon","tag-carlos-mauricio-falgueras","tag-josep-maria-jori-gomila","tag-josep-mata-benedicto","tag-marcii-codinachs-riera","tag-pouplana-i-sole-xavier"],"_links":{"self":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/146503","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/comments?post=146503"}],"version-history":[{"count":0,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/146503\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/media?parent=146503"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/categories?post=146503"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/tags?post=146503"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}