{"id":146505,"date":"1994-01-01T00:00:00","date_gmt":"1994-01-01T00:00:00","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/la-luz-en-la-pintura-espanola-del-segundo-tercio-del-siglo-xvii\/"},"modified":"1994-01-01T00:00:00","modified_gmt":"1994-01-01T00:00:00","slug":"la-luz-en-la-pintura-espanola-del-segundo-tercio-del-siglo-xvii","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/historia\/la-luz-en-la-pintura-espanola-del-segundo-tercio-del-siglo-xvii\/","title":{"rendered":"La luz en la pintura espa\u00f1ola del segundo tercio del siglo xvii."},"content":{"rendered":"<h2>Tesis doctoral de <strong>  Medina De Vargas Raquel <\/strong><\/h2>\n<p>La tesis consiste en un estudio de la luz como factor plastico en la pintura espa\u00f1ola de la epoca de felipe iv.  centrada en los pintores de la llamada \u00abgran generacion\u00bb:  ribera, zurbaran, cano y velazquez. Tras las oportunas introducciones sobre la actuacion de la luz como factor plastico en la pintura de la epoca y la influencia del contexto contexto historico en el fenomeno, se estudian cada uno de los pintores mencionados a traves de su trayectoria evolutiva de la cual se extrae unas observaciones y conclusiones sobre la actuacion de la luz en cada pintor. En las conclusiones se compara las aportaciones de cada autor y se amplian a su epoca respondiendo a la hipotesis planteadas y se analizan sus derivaciones en la epoca de carlos ii. Y finalmente se contempla todo lo estudiado en su contexto europeo, estableciendo las relaciones reciprocas y las aportaciones espa\u00f1olas a la pintura occidental.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>La luz en la pintura espa\u00f1ola del segundo tercio del siglo xvii.<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 La luz en la pintura espa\u00f1ola del segundo tercio del siglo xvii. <\/li>\n<li><strong>Autor:<\/strong>\u00a0  Medina De Vargas Raquel <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Barcelona<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 01\/01\/1994<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Joan Ramon Triado Tur<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal:  Serrera Contrera Juan  Miguel <\/li>\n<li>LLuis Navarro Miralles (vocal)<\/li>\n<li>Vicenc Furio Gali (vocal)<\/li>\n<li>Mar\u00eda  De Los Angeles Perez Samper (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Medina De Vargas Raquel La tesis consiste en un estudio de la luz como factor plastico en [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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