{"id":14727,"date":"2018-03-09T09:01:33","date_gmt":"2018-03-09T09:01:33","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/del-naturalismo-al-decadentismo-pasando-por-la-mujer-fatal-imagen-femenina-y-literatura-espanola-en-los-inicios-de-la-modernidad\/"},"modified":"2018-03-09T09:01:33","modified_gmt":"2018-03-09T09:01:33","slug":"del-naturalismo-al-decadentismo-pasando-por-la-mujer-fatal-imagen-femenina-y-literatura-espanola-en-los-inicios-de-la-modernidad","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/ciencias-de-las-artes-y-las-letras\/del-naturalismo-al-decadentismo-pasando-por-la-mujer-fatal-imagen-femenina-y-literatura-espanola-en-los-inicios-de-la-modernidad\/","title":{"rendered":"Del naturalismo al decadentismo, pasando por la mujer fatal. imagen femenina y literatura espa\u00f1ola en los inicios de la modernidad."},"content":{"rendered":"<h2>Tesis doctoral de <strong>  Fuentes Herbon Isabel Argentina <\/strong><\/h2>\n<p>Esta tesis investiga la concreci\u00f3n de los rangos de la mujer fatal como personaje y como arquetipo recurrentes en el complejo panorama de las letras espa\u00f1olas de finales del siglo xix y principios del xx.  en este sentido, los dos primeros capitulos \u00abprolegomena. La fabulacion de la seductora imagen de la fatalidad\u00bb y \u00abla bestia humana en el templo maldito. Un itinerario historiografico entre dos siglos\u00bb no se plantean como una simple introducci\u00f3n al arquetipo de la mujer fatal, que repase sus rasgos genericos, sino que aportan una amplia informaci\u00f3n historica sobre su plasmaci\u00f3n en la literatura espa\u00f1ola del fin de siglo, fundamentalmente en la narrativa, a trav\u00e9s de un itinerario historiografico e iconografico marcado por ramon m\u00aa del valle-inclan, antonio de hoyos, y vinent, alejandro sawa, carmen de burgos, edmundo y andres gonzalez blanco, enrique gomez carrillo, emilio carrere&#8230;., Demorandose particularmente en los dos siguientes capitulos en el precedente galdosiano.-\u00abEl precedente realista: benito perez galdos y la renovacion de los arquetipos literarios femeninos\u00bb- y en la figura crucial de do\u00f1a emilia pardo bazan, verdadera encrucijada en una evoluci\u00f3n literaria compleja, en la que se entremezclan rasgos naturalistas, mujeres fatales decadentistas y tesis espiritualistas: \u00abemilia pardo bazan: del naturalismo al decadentismo, pasando por la mujer fatal\u00bb.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Del naturalismo al decadentismo, pasando por la mujer fatal. imagen femenina y literatura espa\u00f1ola en los inicios de la modernidad.<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Del naturalismo al decadentismo, pasando por la mujer fatal. imagen femenina y literatura espa\u00f1ola en los inicios de la modernidad. <\/li>\n<li><strong>Autor:<\/strong>\u00a0  Fuentes Herbon Isabel Argentina <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Universitat de val\u00e9ncia (estudi general)<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 18\/12\/2001<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Joan Oleza Sim\u00f3<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: pilar Pedraza Martinez <\/li>\n<li>M\u00aa Luisa Sotelo v\u00e1zquez (vocal)<\/li>\n<li>Luisa Elena delgado (vocal)<\/li>\n<li>facundo Ferre tomas (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Fuentes Herbon Isabel Argentina Esta tesis investiga la concreci\u00f3n de los rangos de la mujer fatal como [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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