{"id":14728,"date":"2018-03-09T09:01:33","date_gmt":"2018-03-09T09:01:33","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/mauales-de-construccion-de-guiones-historia-y-caracterizacion-textual\/"},"modified":"2018-03-09T09:01:33","modified_gmt":"2018-03-09T09:01:33","slug":"mauales-de-construccion-de-guiones-historia-y-caracterizacion-textual","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/ciencias-de-las-artes-y-las-letras\/mauales-de-construccion-de-guiones-historia-y-caracterizacion-textual\/","title":{"rendered":"Mauales de construccion de guiones. historia y caracterizacion textual."},"content":{"rendered":"<h2>Tesis doctoral de <strong> Rafael Carlos Ballester A\u00f1on <\/strong><\/h2>\n<p>Esta tesis se propone dos objetivos: primero una caracterizaci\u00f3n textual de los manuales de construcci\u00f3n de guiones, a partir de las clasificacioines tipologicas existentes, y segundo un recorrido hist\u00f3rico por los diversos manuales de gui\u00f3n publicados en espa\u00f1a a lo largo de la historia del cine hasta 1999. Para realizar este trabajo comenzamos por una descripcion\/comentario de cada uno de los textos, ordenados por decadas, en la parte final, establecemos una serie de consideraciones analiticas, tablas comparativas, ordenacion de ciertos procedos diacronicos, peculiaridades estructurales, interinfluencias, etc.., Que constituyen las conclusiones, a estas hemos a\u00f1adido una addenda, que trata de vincular la llamativa proliferaci\u00f3n de manuales en los \u00faltimos a\u00f1os con fen\u00f3menos hist\u00f3rico-teoricos mas amplios y complejos.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Mauales de construccion de guiones. historia y caracterizacion textual.<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Mauales de construccion de guiones. historia y caracterizacion textual. <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Rafael Carlos Ballester A\u00f1on <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Universitat de val\u00e9ncia (estudi general)<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 18\/12\/2001<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Juan  Miguel Company Ramon<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: santos Zunzunegui diez <\/li>\n<li> Marzal felici Jos\u00e9 j. (vocal)<\/li>\n<li>pilar Pedraza Martinez (vocal)<\/li>\n<li>marina Segarra Garc\u00eda (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Rafael Carlos Ballester A\u00f1on Esta tesis se propone dos objetivos: primero una caracterizaci\u00f3n textual de los manuales [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[147,5547,149,1111,628],"tags":[12288,47282,47281,31231,47280,5038],"class_list":["post-14728","post","type-post","status-publish","format-standard","hentry","category-ciencias-de-las-artes-y-las-letras","category-cinematografia","category-critica-de-textos","category-teoria-analisis-y-critica-de-las-bellas-artes","category-teoria-analisis-y-critica-literarios","tag-juan-miguel-company-ramon","tag-marina-segarra-garcia","tag-marzal-felici-jose-j","tag-pilar-pedraza-Martinez","tag-rafael-carlos-ballester-anon","tag-santos-zunzunegui-diez"],"_links":{"self":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/14728","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/comments?post=14728"}],"version-history":[{"count":0,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/14728\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/media?parent=14728"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/categories?post=14728"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/tags?post=14728"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}