{"id":14894,"date":"2018-03-09T09:01:47","date_gmt":"2018-03-09T09:01:47","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/la-fundicion-en-el-arte-cambios-conceptuales-y-procesos-tecnicos\/"},"modified":"2018-03-09T09:01:47","modified_gmt":"2018-03-09T09:01:47","slug":"la-fundicion-en-el-arte-cambios-conceptuales-y-procesos-tecnicos","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/ciencias-de-las-artes-y-las-letras\/la-fundicion-en-el-arte-cambios-conceptuales-y-procesos-tecnicos\/","title":{"rendered":"La fundici\u00f3n en el arte: cambios conceptuales y procesos t\u00e9cnicos"},"content":{"rendered":"<h2>Tesis doctoral de <strong> Luiz Kinceler Jose <\/strong><\/h2>\n<p>Esta investigaci\u00f3n considera la fundici\u00f3n como un proceso creativo que funciona est\u00e9ticamente cuando alguna de sus propiedades act\u00faan en consonancia con los paradigmas de representaci\u00f3n vividos en el pensamiento de cada \u00e9poca.  la fundici\u00f3n a partir de los a\u00f1os sesenta ve sus propiedades y principios generales participar conceptualmente de la estructura de la obra, colaborando directamente con su significado.  la tesis est\u00e1 centrada sobre el uso de funci\u00f3n en el arte y establece analog\u00edas entre las propiedades de la fundici\u00f3n: reproducci\u00f3n, perdurabilidad, materialidad y procesos, con arreglo a los cambios sufridos en la representaci\u00f3n art\u00edstica. Tiene como fundamento la est\u00e9tica de la recepci\u00f3n y procura establecer relaciones entre la forma de participaci\u00f3n del p\u00fablico, la escultura fundida y las estrategias creativas del artista.  reconocidas las propiedades de la fundici\u00f3n y de c\u00f3mo se relacionan con la din\u00e1mica de la representaci\u00f3n, para utilizar las posibilidades est\u00e9ticas de la fundici\u00f3n es necesario una aproximaci\u00f3n a sus principios t\u00e9cnicos inherentes. Por lo dicho, la tesis tambi\u00e9n se preocupa en los principios y condicionantes tecnol\u00f3gicos de la fundici\u00f3n: tipos de modelo, moldes de reproducci\u00f3n, moldes refractarios, fusi\u00f3n de metales y acabados tiene en la transformaci\u00f3n un principio que la caracteriza espec\u00edficamente. Esta capacidad permite al artista una participaci\u00f3n efectiva en todas sus etapas.  esta tesis pretende liberar su pedagog\u00eda y su usuario de un tipo de elecci\u00f3n hacia la fundici\u00f3n donde se primaba aspectos reproductores y pasivos.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>La fundici\u00f3n en el arte: cambios conceptuales y procesos t\u00e9cnicos<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 La fundici\u00f3n en el arte: cambios conceptuales y procesos t\u00e9cnicos <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Luiz Kinceler Jose <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Pa\u00eds vasco\/euskal herriko unibertsitatea<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 20\/12\/2001<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Saturnino Guti\u00e9rrez Barriuso<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: Juan  Fernando de la Iglesia gonzalez de pereda <\/li>\n<li>Ana Arnaiz gomez (vocal)<\/li>\n<li>angeles Marco saturnino (vocal)<\/li>\n<li>Santiago Ortega mediavilla (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Luiz Kinceler Jose Esta investigaci\u00f3n considera la fundici\u00f3n como un proceso creativo que funciona est\u00e9ticamente cuando alguna [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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