{"id":14901,"date":"2018-03-09T09:01:48","date_gmt":"2018-03-09T09:01:48","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/la-primera-impronta-de-la-pintura-romanica-del-poitou-en-aragon-y-cataluna\/"},"modified":"2018-03-09T09:01:48","modified_gmt":"2018-03-09T09:01:48","slug":"la-primera-impronta-de-la-pintura-romanica-del-poitou-en-aragon-y-cataluna","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/historia\/la-primera-impronta-de-la-pintura-romanica-del-poitou-en-aragon-y-cataluna\/","title":{"rendered":"La primera impronta de la pintura rom\u00e1nica del poitou en arag\u00f3n y catalu\u00f1a"},"content":{"rendered":"<h2>Tesis doctoral de <strong> Gloria Fern\u00e1ndez Somoza <\/strong><\/h2>\n<p>En \u00e9poca rom\u00e1nica existieron en catalu\u00f1a dos grandes c\u00edrculos pict\u00f3ricos. el formado a trav\u00e9s de la influencia recibida de la pintura italiana y el vinculado a la pintura rom\u00e1nica realizada en la zona francesa del poitou, entre finales del siglo xi y principios del siguiente. En esta tesis doctoral se estudia \u00e9ste \u00faltimo c\u00edrculo art\u00edstico, relacionado adem\u00e1s con la pintura rom\u00e1nica de arag\u00f3n, siendo reveladora al respecto la preeminencia de \u00e9sta.  se establecen pues las relaciones existentes entre francia, catalu\u00f1a y arag\u00f3n, analizando exhaustivamente las vinculaciones -iconogr\u00e1ficas, formales, compositivas &#8230;- Que presentan unos y otros, as\u00ed como sus interrelaciones entre los propios conjuntos murales hispanos. De esta forma se ha podido establecer una cronolog\u00eda m\u00e1s arpoximada, adem\u00e1s de tratar la cuesti\u00f3n, no menos interesante, de las influencias art\u00edsticas que durante la \u00e9poca del rom\u00e1nico se produjeron entre \u00e1reas geogr\u00e1ficas alejadas.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>La primera impronta de la pintura rom\u00e1nica del poitou en arag\u00f3n y catalu\u00f1a<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 La primera impronta de la pintura rom\u00e1nica del poitou en arag\u00f3n y catalu\u00f1a <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Gloria Fern\u00e1ndez Somoza <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Aut\u00f3noma de barcelona<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 20\/12\/2001<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Joaquin Yarza Luaces<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: gonzalo Borras gualis <\/li>\n<li>francesca Espa\u00f1ol bertran (vocal)<\/li>\n<li>eric Palazzo (vocal)<\/li>\n<li> Melero moneo m. Luisa (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Gloria Fern\u00e1ndez Somoza En \u00e9poca rom\u00e1nica existieron en catalu\u00f1a dos grandes c\u00edrculos pict\u00f3ricos. el formado a trav\u00e9s [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[104,1014,222],"tags":[47763,34002,47762,5824,24990,47764],"class_list":["post-14901","post","type-post","status-publish","format-standard","hentry","category-historia","category-historia-del-arte","category-historias-especializadas","tag-eric-palazzo","tag-francesca-espanol-bertran","tag-gloria-fernandez-somoza","tag-gonzalo-borras-gualis","tag-joaquin-yarza-luaces","tag-melero-moneo-m-luisa"],"_links":{"self":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/14901","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/comments?post=14901"}],"version-history":[{"count":0,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/14901\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/media?parent=14901"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/categories?post=14901"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/tags?post=14901"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}