{"id":15147,"date":"2018-03-09T09:02:11","date_gmt":"2018-03-09T09:02:11","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/musica-y-agrupaciones-de-carnaval-huelva-y-cadiz\/"},"modified":"2018-03-09T09:02:11","modified_gmt":"2018-03-09T09:02:11","slug":"musica-y-agrupaciones-de-carnaval-huelva-y-cadiz","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/ciencias-de-las-artes-y-las-letras\/musica-y-agrupaciones-de-carnaval-huelva-y-cadiz\/","title":{"rendered":"Musica y agrupaciones de carnaval: huelva y cadiz"},"content":{"rendered":"<h2>Tesis doctoral de <strong> Francisco Jose Garcia Gallardo <\/strong><\/h2>\n<p>Con este trabajo se pretende mostrarel modo en que una practica cultural, la musica de carnaval, produce y posee significado, y se constituye en lugar de relaciones de poder. Esto supone estudiar la musica, la materia sonora, en el contexto sociocultural, politico, economico e ideologico en el que es puesta en escena.  musica y puesta en escena son entonces consideradas como dimensi\u00f3n compleja y procesual productora de sentido.  la investigacion se centra en el carnaval de huelva entre 1880 y 1936 con el analisis documental de la prensa y otras fuentes, asi como el estudio de grabaciones del primer tercio del siglo xx.  el trabajo es enriquecido con la vision que se muestra sobre el carnaval de cadiz en esa misma epoca (1880-1936), de las fiestas tipicas gaditanas durante la dictadura, y con una introduccion a la revitalizacion y recuperacion del carnaval en andalucia occidental a finales de los a\u00f1os 70 y durante los 80 del s. Xx hasta nuestros dias, tras un intenso trabajo de campo.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Musica y agrupaciones de carnaval: huelva y cadiz<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Musica y agrupaciones de carnaval: huelva y cadiz <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Francisco Jose Garcia Gallardo <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Huelva<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 17\/01\/2002<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Ramon Pelinski<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: concepci\u00f3n Fern\u00e1ndez vivas <\/li>\n<li>josep Martines perez (vocal)<\/li>\n<li>Jos\u00e9 Antonio Gomez rodriguez (vocal)<\/li>\n<li>gabriel Trav\u00e9 gonzalez (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Francisco Jose Garcia Gallardo Con este trabajo se pretende mostrarel modo en que una practica cultural, la [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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