{"id":15177,"date":"2018-03-09T09:02:13","date_gmt":"2018-03-09T09:02:13","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/la-puerta-del-patrimonio-concepto-gestion-y-metodologia-instrumentos-y-recursos-del-patrimonio-cultural\/"},"modified":"2018-03-09T09:02:13","modified_gmt":"2018-03-09T09:02:13","slug":"la-puerta-del-patrimonio-concepto-gestion-y-metodologia-instrumentos-y-recursos-del-patrimonio-cultural","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/historia\/la-puerta-del-patrimonio-concepto-gestion-y-metodologia-instrumentos-y-recursos-del-patrimonio-cultural\/","title":{"rendered":"La puerta del patrimonio: concepto, gestion y metodolog\u00eda. instrumentos y recursos del patrimonio cultural."},"content":{"rendered":"<h2>Tesis doctoral de <strong>  Fernandez Montenegro Morales M. Jose <\/strong><\/h2>\n<p>La tesis se basa en el estudio del patrimonio cultural, su concepto, gestion y metodolog\u00eda, instrumentos y recursos. La tesis consta de dos partes y nueve temas. La parte primera estudia la gesti\u00f3n cultural y la segunda parte estudia el patrimonio cultural. Los nueve temas se encuentran interrelacionados mediante el concepto de cultura y el concepto de patrimonio cultural, la metodolog\u00eda de gesti\u00f3n de servicios cultural y los intrumentos y recursos al servicio del patrimonio cultural, para finalizar con un tema pr\u00e1ctico como es el proyecto para una colecci\u00f3n de arte contemporaneo en el municipio de meliana (municipio Valenciano).  la tesis aborda la necesidad de gestionar  el patrimonio cultural como un proyecto continuo. Reivindicando la necesidad de introducir la gesti\u00f3n cultural en los planes de estudio universitarios.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>La puerta del patrimonio: concepto, gestion y metodolog\u00eda. instrumentos y recursos del patrimonio cultural.<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 La puerta del patrimonio: concepto, gestion y metodolog\u00eda. instrumentos y recursos del patrimonio cultural. <\/li>\n<li><strong>Autor:<\/strong>\u00a0  Fernandez Montenegro Morales M. Jose <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Universitat de val\u00e9ncia (estudi general)<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 18\/01\/2002<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Inmaculada Aguilar Civera<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: Antonio Tordera s\u00e1ez <\/li>\n<li>ismael Quintanilla pardo (vocal)<\/li>\n<li>victor Minguez corneilles (vocal)<\/li>\n<li>enrique Perez ca\u00f1amares (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Fernandez Montenegro Morales M. Jose La tesis se basa en el estudio del patrimonio cultural, su concepto, [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[104,1014,222],"tags":[11546,48533,48531,27045,11893,48532],"class_list":["post-15177","post","type-post","status-publish","format-standard","hentry","category-historia","category-historia-del-arte","category-historias-especializadas","tag-antonio-tordera-saez","tag-enrique-perez-canamares","tag-fernandez-montenegro-morales-m-jose","tag-inmaculada-aguilar-civera","tag-ismael-quintanilla-pardo","tag-victor-minguez-corneilles"],"_links":{"self":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/15177","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/comments?post=15177"}],"version-history":[{"count":0,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/15177\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/media?parent=15177"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/categories?post=15177"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/tags?post=15177"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}