{"id":15269,"date":"2018-03-09T09:02:22","date_gmt":"2018-03-09T09:02:22","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/arte-contemporaneo-la-utopia-de-una-existencia-exiliada-los-desarrollos-numericos-como-nueva-posibilidad-aporetica\/"},"modified":"2018-03-09T09:02:22","modified_gmt":"2018-03-09T09:02:22","slug":"arte-contemporaneo-la-utopia-de-una-existencia-exiliada-los-desarrollos-numericos-como-nueva-posibilidad-aporetica","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/ciencias-de-las-artes-y-las-letras\/arte-contemporaneo-la-utopia-de-una-existencia-exiliada-los-desarrollos-numericos-como-nueva-posibilidad-aporetica\/","title":{"rendered":"Arte contemporaneo. la utopia de una existencia exiliada los desarrollos num\u00e9ricos como nueva posibilidad aporetica"},"content":{"rendered":"<h2>Tesis doctoral de <strong>  Magalhaes Pinto Pereira Fernando Jos\u00e9 <\/strong><\/h2>\n<p>Esta tesis plantea como hip\u00f3tesis la cuesti\u00f3n de la integraci\u00f3n\/expansi\u00f3n de los desarrollos num\u00e9ricos en las actividades de arte contempor\u00e1neo.  desde un eje central que introduce la noci\u00f3n de utop\u00eda como posibilidad abierta o, al rev\u00e9s, la apor\u00eda como imposibilidad operativa.  utop\u00eda como esencia del deseo experimental que ha traido el arte hasta esta suerte de cuestionamiento: lo digital y su necesaria reubicaci\u00f3n.  apor\u00eda como colocaci\u00f3n en posici\u00f3n inversa a la potenciaci\u00f3n de la posibilidad ut\u00f3pica. Se ha pretendido mostrar que la tecnolog\u00eda digital no ofrece, por si sola, las condiciones para generar la afirmaci\u00f3n de una tal posibilidad, de ah\u00ed su car\u00e1cter apor\u00e9tico.  para eso, propone una extensa argumentaci\u00f3n que es organizada en tres partes:  * la contextualizaci\u00f3n de un presente de reponderancia tecnol\u00f3gica, a trav\u00e9s de sus implicaciones y alteraciones pol\u00edticas &#8211; la falta de exterioridad.  * el entendimiento de la herencia moderna como base para la experimentaci\u00f3n necesaria, as\u00ed como su actualizaci\u00f3n conceptual.  * finalmente el cuestionamiento profundo de los desarrollos num\u00e9ricos en su expansibilidad polim\u00f3rfica y generadora de pol\u00e9micas conceptuales.  muchos problemas y objeciones se plantean, pero sin integraci\u00f3n en esquemas de estructuraci\u00f3n no lineal, su indeterminismo, lo hacen demasiado atractivos a nuestros ojos para que podamos ignorarlos.  mirarlos de frente fue nuestra hip\u00f3tesis, la necesidad de utilizarlos y centrarlos en el \u00e1mbito de las experimentaciones del arte contempor\u00e1neo, nuestra conclusi\u00f3n.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Arte contemporaneo. la utopia de una existencia exiliada los desarrollos num\u00e9ricos como nueva posibilidad aporetica<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Arte contemporaneo. la utopia de una existencia exiliada los desarrollos num\u00e9ricos como nueva posibilidad aporetica <\/li>\n<li><strong>Autor:<\/strong>\u00a0  Magalhaes Pinto Pereira Fernando Jos\u00e9 <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Vigo<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 24\/01\/2002<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li> Moraza P\u00e9rez Juan  Luis<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal:  Bragan\u00ed\u00a7a de miranda jos\u00e9 <\/li>\n<li>lourdes Cilveruelo gutierrez (vocal)<\/li>\n<li>Luis Brea jos\u00e9 (vocal)<\/li>\n<li>remedio Zafra alcaraz (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Magalhaes Pinto Pereira Fernando Jos\u00e9 Esta tesis plantea como hip\u00f3tesis la cuesti\u00f3n de la integraci\u00f3n\/expansi\u00f3n de los [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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