{"id":15408,"date":"2002-01-02T00:00:00","date_gmt":"2002-01-02T00:00:00","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/metodologa%c2%ada-del-analisis-del-arte-paleolitico-la-autoria-y-el-estilo-del-grupo\/"},"modified":"2002-01-02T00:00:00","modified_gmt":"2002-01-02T00:00:00","slug":"metodologa%c2%ada-del-analisis-del-arte-paleolitico-la-autoria-y-el-estilo-del-grupo","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/historia\/metodologa%c2%ada-del-analisis-del-arte-paleolitico-la-autoria-y-el-estilo-del-grupo\/","title":{"rendered":"Metodolog\u00eda del analisis del arte paleolitico: la autoria y el estilo del grupo"},"content":{"rendered":"<h2>Tesis doctoral de <strong>  Ruiz Idarraga M. Rosa <\/strong><\/h2>\n<p>En esta tesis doctoral planteo un m\u00e9todo de an\u00e1lisis del arte paleol\u00edtico basado en la caracterizaci\u00f3n de los aspectos referidos al estilo de un autor y los pertenecientes al estilo del grupo en el que se inscribe. Este m\u00e9todo para el arte paleol\u00edtico pretende ahondar en la metodolog\u00eda de la identificaci\u00f3n de autor y a\u00f1adir a este an\u00e1lisis los criterios por los cuales es posible defenir la variabilidad de un estilo compartido por un grupo. La manera de identificar al autor ha sido propuesta, y en parte desarrollada, por juan mar\u00eda apell\u00e1niz, quien se\u00f1ala como criterior m\u00e1s decisivos para esta identificaci\u00f3n los derivados de la manera de trazar y del modelado. Retomo este an\u00e1lisis y pretendo contriburi a su ampliaci\u00f3n de dos maneras; una te\u00f3rica, a partir de un modelado etnogr\u00e1fico, y otra pr\u00e1ctica, bas\u00e1ndome en la experimentaci\u00f3n. La aplicaci\u00f3n de esta metodolog\u00eda permete establecer no s\u00f3lo las caracter\u00edsticas de los autores sino tambi\u00e9n definir aquellas que pertenecen al grupo. Dos modelos pueden ayudarnos a reconcoer y comprender el proceso de la creaci\u00f3n de una obra de arte: tanto la experimentaci\u00f3n como la etnograf\u00eda son complementarias y conforman la base metodol\u00f3gica que propongo en este estudio. Planteo, por tanto, mi investigaci\u00f3n en dos partes: una primera, destinada al desarrollo de la metodolog\u00eda del an\u00e1lisis, para lo cual me baso en un modelo etnogr\u00e1fico y en la experimentaci\u00f3n replicativa, y una segunda, en la que contrasto la validez de esta metodolog\u00eda en la aplicaci\u00f3n a dos conjuntos arqueol\u00f3gicos de \u00e9poca paleol\u00edtica.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Metodolog\u00eda del analisis del arte paleolitico: la autoria y el estilo del grupo<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Metodolog\u00eda del analisis del arte paleolitico: la autoria y el estilo del grupo <\/li>\n<li><strong>Autor:<\/strong>\u00a0  Ruiz Idarraga M. Rosa <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Deusto<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 01\/02\/2002<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Juan  Mar\u00eda Apellaniz  Castroviejo<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: Manuel ramon Gonzalez morales <\/li>\n<li>cesar Gonz\u00e1lez sainz (vocal)<\/li>\n<li>german Delibes de castro (vocal)<\/li>\n<li> Villar Garc\u00eda Luis Miguel (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Ruiz Idarraga M. Rosa En esta tesis doctoral planteo un m\u00e9todo de an\u00e1lisis del arte paleol\u00edtico basado [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[31910,104,106,220,2635,3727],"tags":[28070,2640,41993,15121,49161,41995],"class_list":["post-15408","post","type-post","status-publish","format-standard","hentry","category-deusto","category-historia","category-historia-general","category-historia-por-epocas","category-prehistoria","category-teorias-y-metodos-historicos","tag-cesar-gonzalez-sainz","tag-german-delibes-de-castro","tag-juan-maria-apellaniz-castroviejo","tag-manuel-ramon-gonzalez-morales","tag-ruiz-idarraga-m-rosa","tag-villar-garcia-luis-miguel"],"_links":{"self":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/15408","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/comments?post=15408"}],"version-history":[{"count":0,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/15408\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/media?parent=15408"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/categories?post=15408"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/tags?post=15408"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}