{"id":154513,"date":"2026-01-12T17:12:44","date_gmt":"2026-01-12T17:12:44","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/la-estetica-de-la-espera-en-samuel-beckett\/"},"modified":"2026-01-12T17:12:44","modified_gmt":"2026-01-12T17:12:44","slug":"la-estetica-de-la-espera-en-samuel-beckett","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/filosofia\/la-estetica-de-la-espera-en-samuel-beckett\/","title":{"rendered":"La estetica de la espera en samuel beckett"},"content":{"rendered":"<h2>Tesis doctoral de <strong>  Molina Escobar Jos\u00e9 Victor <\/strong><\/h2>\n<p>Que espera la poesia catartica de samuel beckett sino el hacer efectiva su nostalgia de silencio? Y esta nostalgia, a su vez, no es provocada por la conciencia del contraste entre el presente sonoro y parlamentario de sus criaturas y lo previsiblemente silente de su pasado? y no es tambien avivada por la evidencia de una irreversibilidad de la version o de la narracion que ellas producen y en la que ellas mismas estan, a su vez, siendo producidas?. En cualquier caso, la voz que habla en las obras de beckett no saben remontar el obstaculo de la version, y \u00abno se puede hablar sin decir nada\u00bb, advierte beckett. Salvarse de la version, vertiendola por completo, es la tarea a la que el narrador en beckett se ve obligado. Hablara para despojarse de las palabras.  homeopaticamente purgara su mal de habla. Porque, en el universo de samuel beckett se confunden mal y purga, crimen y castigo. Y en esta confusion estriba uno de los mas importantes momentos de su poetica. Ningun otro remedio es posible para callar. Ya que este purgatorio, mas que encerrar la culpa en un castigo fijo, abre, ante la voz, una ruta sin fin por donde esta debe desplegarse libremente. El caer (cuya etimolog\u00eda da tambien sentido al callar, y dando con ello una importante caracteristica dramatica a la obra de beckett) tiene todo el porvenir ante si, y confirma lo que la espera de godot tambien afirma: que hay tiempo para envejecer, y que la caida (la de satan o la de una hoja) es infinita. Por lo tanto, sirviendose de fragmentos del hablar mas ordinario, de obras poeticas(holderun, yeats, shakespeare&#8230;) Y filosoficas (pitagoras, heraclito, democrito, plotino&#8230;), O de referencias musicales(shubert, beethoven, mozart&#8230;), S. Beckett demuestra que el hablar de cada uno de sus personajes-voces de su obra no admite sino un unico remedio purgativo o catartico: el consentimiento de su hablar en la version.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>La estetica de la espera en samuel beckett<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 La estetica de la espera en samuel beckett <\/li>\n<li><strong>Autor:<\/strong>\u00a0  Molina Escobar Jos\u00e9 Victor <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Barcelona<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 01\/01\/1991<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Rafael Argullol Murgadas<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal:  Valverde Pacheco Jos\u00e9 Mar\u00eda <\/li>\n<li>Antoni Mari Mu\u00f1oz (vocal)<\/li>\n<li>Eugenio Tr\u00edas Sagnier (vocal)<\/li>\n<li>Lu\u00eds Izquierdo Salvador (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Molina Escobar Jos\u00e9 Victor Que espera la poesia catartica de samuel beckett sino el hacer efectiva su [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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