{"id":155151,"date":"2026-01-12T17:17:22","date_gmt":"2026-01-12T17:17:22","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/la-pictotridimension-proceso-artistico-diferenciado-constatacion-en-nueva-york-1989-90\/"},"modified":"2026-01-12T17:17:22","modified_gmt":"2026-01-12T17:17:22","slug":"la-pictotridimension-proceso-artistico-diferenciado-constatacion-en-nueva-york-1989-90","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/ciencias-de-las-artes-y-las-letras\/la-pictotridimension-proceso-artistico-diferenciado-constatacion-en-nueva-york-1989-90\/","title":{"rendered":"La pictotridimension, proceso artistico diferenciado. constatacion en nueva york, 1989-90"},"content":{"rendered":"<h2>Tesis doctoral de <strong> Ramon Almela Garcia <\/strong><\/h2>\n<p>La incorporacion del espacio tridimensional bajo coordenadas pictoricas en la obra artistica del autor, crea la hipotesis de trabajo: la existencia de una actitud artistica que mezcla, los medios especificos de la pintura y de la escultura, sin identificarse como genero con ninguna de ellas. La investigacion se desarrolla en la ciudad de new york, acotandose el campo entre los meses de septiembre de 1989 y abril de 1990.  fueron seleccionados un total de sesenta y dos artistas cuyos trabajos respondian a esta actitud. La bibliografia disponible sobre el tema y sobre los artistas, ademas de los comentarios sobre las exposiciones conformo el material para el estudio de este fenomeno. La tesis establece la pictotridimension como un proceso artistico diferenciado de la pintura y de la escultura, abriendo la posibilidad de proseguir y analizar el desarrollo de la misma como un fenomeno en evolucion al ahondar en su origen y constatar su actualidad en la produccion plastica de new york.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>La pictotridimension, proceso artistico diferenciado. constatacion en nueva york, 1989-90<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 La pictotridimension, proceso artistico diferenciado. constatacion en nueva york, 1989-90 <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Ramon Almela Garcia <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Complutense de Madrid<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 01\/01\/1991<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Mar\u00eda no De Blas Ortega<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: Manuel Parralo Dorado <\/li>\n<li>Rafael S\u00e1nchez-carralero L\u00f3pez (vocal)<\/li>\n<li>Juan  Fernando De La Iglesia Gonzalez De Pereda (vocal)<\/li>\n<li>Rodolfo Conesa Bermejo (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Ramon Almela Garcia La incorporacion del espacio tridimensional bajo coordenadas pictoricas en la obra artistica del autor, [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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