{"id":155154,"date":"2026-01-12T17:17:22","date_gmt":"2026-01-12T17:17:22","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/hernan-cortes-y-lope-de-aguirre-en-los-textos-narrativos-contemporaneos\/"},"modified":"2026-01-12T17:17:22","modified_gmt":"2026-01-12T17:17:22","slug":"hernan-cortes-y-lope-de-aguirre-en-los-textos-narrativos-contemporaneos","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/ciencias-de-las-artes-y-las-letras\/hernan-cortes-y-lope-de-aguirre-en-los-textos-narrativos-contemporaneos\/","title":{"rendered":"Hernan cortes y lope de aguirre en los textos narrativos contemporaneos"},"content":{"rendered":"<h2>Tesis doctoral de <strong>  Alonso Martinez M. Nieves <\/strong><\/h2>\n<p>La historia de los \u00abmitos literarios\u00bb de hernan cortes y lope de aguirre tiene tres momentos relevantes: el de la fundacion (siglo xv), el de la reproduccion literaria (versiones y contraversiones literarias, siglos xvii &#8211; xx) y el de la reelaboracion critica (siglo xx). La tesis \u00abhernan cortes y lope de aguirre en textos narrativos contemporaneos\u00bb comienza por caracterizar el momento historico en que cada uno de los dos conquistadores actuo, despues revisa sus propios escritos (cartas, ordenanzas y otros documentos) y los diferentes textos de la epoca que tratan de los sucesos relacionados con ellos (cronicas, cartas, memoriales, etc). A continuacion, estudia su presencia en la serie literaria de 5 siglos para, final y especificamente, analizar los textos narrativos contemporaneos que los incluyen como protagonistas.  tras cinco siglos en los cuales los dos conquistadores han ocupado polos irreductibles, la historiografia, el arte y, sobre todo, la imaginacion novelesca del siglo xx intentan la humanizacion del \u00abvaron elegido\u00bb y del \u00abmonstruo luciferino\u00bb. Varios son los textos narrativos hispanicos (hernan cortes, el corazon de piedra verde de madariaga, jubileo en el zocalo, de sender, cuando los dioses nacian en extremadura de garcia serrano; el camino de el dorado de uslar pietri, la aventura equinoccial de lope de aguirre de sender, lope de aguirre, principe de la libertad de otero silva, daimon de posse o cronica de blasfemos) que coinciden en el rechazo del monologismo cronistico, que afirman la sabiduria de la incertidumbre cervantina y que muestran la perturbadora semejanza de lo tradicionalmente separado en forma irreductible.  la tesis estudia, asi, el paso de las \u00abhistorias verdaderas\u00bb o \u00abfielmente documentadas\u00bb a las \u00abmitolog\u00edas nacionales\u00bb y a las versiones criticas de estos mitos que impiden ver nuestro pasado en forma \u00abclara, generosa, serena\u00bb.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Hernan cortes y lope de aguirre en los textos narrativos contemporaneos<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Hernan cortes y lope de aguirre en los textos narrativos contemporaneos <\/li>\n<li><strong>Autor:<\/strong>\u00a0  Alonso Martinez M. Nieves <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Complutense de Madrid<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 01\/01\/1991<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Marina Galvez Acero<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal:  Sainz De Medrano Luis <\/li>\n<li>Teodosio Fernandez (vocal)<\/li>\n<li>Juan a Martinez Gomez (vocal)<\/li>\n<li>De Mora Carmen (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Alonso Martinez M. Nieves La historia de los \u00abmitos literarios\u00bb de hernan cortes y lope de aguirre [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[147,986,628],"tags":[269203,269204,5366,6773,24050,39462],"class_list":["post-155154","post","type-post","status-publish","format-standard","hentry","category-ciencias-de-las-artes-y-las-letras","category-complutense-de-madrid","category-teoria-analisis-y-critica-literarios","tag-alonso-Martinez-m-nieves","tag-de-mora-carmen","tag-juan-a-Martinez-gomez","tag-marina-galvez-acero","tag-sainz-de-medrano-luis","tag-teodosio-fernandez"],"_links":{"self":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/155154","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/comments?post=155154"}],"version-history":[{"count":0,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/155154\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/media?parent=155154"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/categories?post=155154"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/tags?post=155154"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}