{"id":155178,"date":"2026-01-12T17:17:38","date_gmt":"2026-01-12T17:17:38","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/las-obras-amatorias-de-ovidio-en-los-manuscritos-de-espana\/"},"modified":"2026-01-12T17:17:38","modified_gmt":"2026-01-12T17:17:38","slug":"las-obras-amatorias-de-ovidio-en-los-manuscritos-de-espana","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/linguistica\/las-obras-amatorias-de-ovidio-en-los-manuscritos-de-espana\/","title":{"rendered":"\u00ablas obras amatorias de ovidio en los manuscritos de espa\u00f1a\u00bb"},"content":{"rendered":"<h2>Tesis doctoral de <strong> Juan  Luis Arcaz Pozo <\/strong><\/h2>\n<p>La presente tesis se centra en el estudio codicologico y textual de los mss. Espa\u00f1oles que contienen la obra amatoria de ovidio, circunscrita esta al texto de amores, ars amatoria y remedia amoris. En sus correspondientes y respectivos capitulos se abordan las cuestones referidas a la historia de la transmision manuscrita e impresa de estas obras, al estudio en si de los diez mss.  conservados en espa\u00f1a que las contienen y a su colacion (escorialensis e.Iii.14; 9.Iii.26 y p.Ii.10; matritensis res. 206; toletani 102-10; 102-11 y 102-14; colombinus 7-1-21; y mss. B-286 y 195 del archivo de la catedral de segovia y de la catedral de tortosa, respectivamente) y al analisis del texto que presentan a fin de valorar el significado de estos dentro de la tradicion manuscrita de los carmina amatoria ovidianos. Las conclusiones fundamentales del trabajo, a la luz de las perspectivas codicologicas, critico-textuales y de la historia de cada testigo manuscrito que han presidido la investigacion realizada, nos han permitido esclarecer muchos de los puntos oscuros que hasta ahora existian sobre nuestros manuscritos, precisando determinadas procedencias (p.E., las de los mss. Escorialensis e.Iii.14 y toletanus 102-10) y, sobre todo, dando a conocer, mediante la colacion y el estudio del texto de los mss. Espa\u00f1oles, el valor de estos en el marco de la tradicion manuscrita de esas obras, en particular, y el de su significado en el conjunto de la tradicion manuscrita espa\u00f1ola, en particular. Por tanto, puede decirse ahora que estos mss.  no representan nada especial dentro de su tradicion manuscrista, siendo su valor muy semejante al de otros recentiores (apoyando determinadas lecturas o ratificando enmiendas conjeturales), y que confirman, habida cuenta de que la mayoria de ellos vino de italia, la sospecha de la inexistencia de una tradicion manuscrita autoctona de estas obras en espa\u00f1a.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>\u00ablas obras amatorias de ovidio en los manuscritos de espa\u00f1a\u00bb<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 \u00ablas obras amatorias de ovidio en los manuscritos de espa\u00f1a\u00bb <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Juan  Luis Arcaz Pozo <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Complutense de Madrid<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 01\/01\/1991<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Vicente Cristobal Lopez<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: Tomas Gonzalez Rolan <\/li>\n<li> Ramirez De Verger A. (vocal)<\/li>\n<li>Emilio Montero Cartelle (vocal)<\/li>\n<li>T. Callejas Berdones (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Juan Luis Arcaz Pozo La presente tesis se centra en el estudio codicologico y textual de los [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[986,636,59,60],"tags":[7908,153870,269232,269233,6094,5314],"class_list":["post-155178","post","type-post","status-publish","format-standard","hentry","category-complutense-de-madrid","category-lengua-y-literatura","category-linguistica","category-linguistica-aplicada","tag-emilio-montero-cartelle","tag-juan-luis-arcaz-pozo","tag-ramirez-de-verger-a","tag-t-callejas-berdones","tag-tomas-gonzalez-rolan","tag-vicente-cristobal-lopez"],"_links":{"self":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/155178","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/comments?post=155178"}],"version-history":[{"count":0,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/155178\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/media?parent=155178"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/categories?post=155178"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/tags?post=155178"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}