{"id":155262,"date":"2026-01-12T17:18:25","date_gmt":"2026-01-12T17:18:25","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/la-poesia-de-los-judios-marroquies-bajo-el-influjo-andalusi-y-la-originalidad-marroqui\/"},"modified":"2026-01-12T17:18:25","modified_gmt":"2026-01-12T17:18:25","slug":"la-poesia-de-los-judios-marroquies-bajo-el-influjo-andalusi-y-la-originalidad-marroqui","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/ciencias-de-las-artes-y-las-letras\/la-poesia-de-los-judios-marroquies-bajo-el-influjo-andalusi-y-la-originalidad-marroqui\/","title":{"rendered":"La poesia de los judios marroquies bajo el influjo andalusi y la originalidad marroqui."},"content":{"rendered":"<h2>Tesis doctoral de <strong> Abdelaziz Chahbar <\/strong><\/h2>\n<p>Procuramos en este trabajo de tesis ofrecer una nueva lectura de nuestro patrimonio marroqui sin distincion entre sus componentes (arabe, hebreo, bereber, judio-arabe, judio-bereber, judio-espa\u00f1ol) puesto que todos ellos se dirigen a un mismo objetivo.  teniendo en cuenta que el estudio de la literatura judeo-marroqui se ha visto indebidamente descuidado por las razones que hemos expuesto, por prejuicios o falsas valoraciones sobre su calidad, hemos creido oportuno presentar en este trabajo varios aspectos que subrayan el caracter peculiar de esta literatura marroqui.  tambien hemos se\u00f1alado, en su caso, las huellas del influjo andalusi en la poesia judia de marruecos. Hemos tratado en todo momento de estudiarla dentro del marco de la poesia marroqui haciendo ver que esta tiene unas caracteristicas y valores literarios propios que afectan por igual a la literatura marroqui compuesta en arabe, en hebreo, etc.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>La poesia de los judios marroquies bajo el influjo andalusi y la originalidad marroqui.<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 La poesia de los judios marroquies bajo el influjo andalusi y la originalidad marroqui. <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Abdelaziz Chahbar <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Complutense de Madrid<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 01\/01\/1991<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li> Saenz Badillos Perez Angel<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: Fernando D\u00edaz Esteban <\/li>\n<li>Ramon Magdalena (vocal)<\/li>\n<li>Angeles Navarro Peiro (vocal)<\/li>\n<li>Jos\u00e9 Cano M. (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Abdelaziz Chahbar Procuramos en este trabajo de tesis ofrecer una nueva lectura de nuestro patrimonio marroqui sin [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[148,147,986,628],"tags":[269328,7428,153,269330,269329,7427],"class_list":["post-155262","post","type-post","status-publish","format-standard","hentry","category-analisis-literario","category-ciencias-de-las-artes-y-las-letras","category-complutense-de-madrid","category-teoria-analisis-y-critica-literarios","tag-abdelaziz-chahbar","tag-angeles-navarro-peiro","tag-fernando-diaz-esteban","tag-jose-cano-m","tag-ramon-magdalena","tag-saenz-badillos-perez-angel"],"_links":{"self":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/155262","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/comments?post=155262"}],"version-history":[{"count":0,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/155262\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/media?parent=155262"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/categories?post=155262"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/tags?post=155262"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}