{"id":155463,"date":"2026-01-12T17:20:39","date_gmt":"2026-01-12T17:20:39","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/musica-popular-tradicional-en-guadalajara-analisis-del-proceso-de-innovacion-y-cambio-cultural\/"},"modified":"2026-01-12T17:20:39","modified_gmt":"2026-01-12T17:20:39","slug":"musica-popular-tradicional-en-guadalajara-analisis-del-proceso-de-innovacion-y-cambio-cultural","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/sociologia\/musica-popular-tradicional-en-guadalajara-analisis-del-proceso-de-innovacion-y-cambio-cultural\/","title":{"rendered":"Musica popular tradicional en guadalajara: analisis del proceso de innovacion y cambio cultural."},"content":{"rendered":"<h2>Tesis doctoral de <strong>  Lizarazu De Mesa M. Asuncion <\/strong><\/h2>\n<p>Partiendo de presupuestos formulados desde la antropolog\u00eda y la etnomosicolog\u00eda se ha estudiado el proceso de innovacion de los distintos repertorios locales a lo largo de este siglo, basandonos en un catalogo de canciones recopilado en la provincia de guadalajara. Los objetivos se han centrado en: 1.- aproximacion a la evolucion socioeconomica de la provincia para comprender el material sobre el que se ha trabajado. 2.- Descripcion de los distintos repertorios musicales atendiendo al contexto social en el que se interpretaban y a la funcion que cumplia la musica en la sociedad, para conocer el valor que esta tiene en la cultura. 3.- Examinar el modo en que se han producido las innovaciones.  la investigacion demuestra que la innovacion detectada se produce dentro del sistema musical tradicional, refiriendose a un \u00abcambio de estilo\u00bb progresivo, a diferencia de la innovacion que se observa en la actualidad, la cual parece consistir en un cambio del sistema musical mismo.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Musica popular tradicional en guadalajara: analisis del proceso de innovacion y cambio cultural.<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Musica popular tradicional en guadalajara: analisis del proceso de innovacion y cambio cultural. <\/li>\n<li><strong>Autor:<\/strong>\u00a0  Lizarazu De Mesa M. Asuncion <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Complutense de Madrid<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 01\/01\/1991<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Manuel Fernandez Miranda<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal:  Martin De Guzman Celso <\/li>\n<li>Josep Martines Perez (vocal)<\/li>\n<li>Antonio Cea Gutierrez (vocal)<\/li>\n<li>Carmen Ortiz Garcia (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Lizarazu De Mesa M. Asuncion Partiendo de presupuestos formulados desde la antropolog\u00eda y la etnomosicolog\u00eda se ha [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[986,33585,269,2232],"tags":[14681,29609,8293,269567,4550,269568],"class_list":["post-155463","post","type-post","status-publish","format-standard","hentry","category-complutense-de-madrid","category-folklore","category-sociologia","category-sociologia-cultural","tag-antonio-cea-gutierrez","tag-carmen-ortiz-garcia","tag-josep-martines-perez","tag-lizarazu-de-mesa-m-asuncion","tag-manuel-fernandez-miranda","tag-martin-de-guzman-celso"],"_links":{"self":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/155463","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/comments?post=155463"}],"version-history":[{"count":0,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/155463\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/media?parent=155463"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/categories?post=155463"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/tags?post=155463"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}