{"id":155529,"date":"2026-01-12T17:21:13","date_gmt":"2026-01-12T17:21:13","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/la-dimension-popular-en-la-histoire-comique-de-francion-de-charles-sorel\/"},"modified":"2026-01-12T17:21:13","modified_gmt":"2026-01-12T17:21:13","slug":"la-dimension-popular-en-la-histoire-comique-de-francion-de-charles-sorel","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/ciencias-de-las-artes-y-las-letras\/la-dimension-popular-en-la-histoire-comique-de-francion-de-charles-sorel\/","title":{"rendered":"La dimension popular en la \u00abhistoire comique de francion\u00bb de charles sorel"},"content":{"rendered":"<h2>Tesis doctoral de <strong>  Mata Barreiro M. Carmen <\/strong><\/h2>\n<p>Nuestra investigacion en torno a una novela barroca francesa, la histoire comique de francion, tiene como objeto la dimension popular, a saber: 1. Que se representa del pueblo (cfr. 3.1.Cosmovision popular); 2.  como se representa (cfr. 3.2.1. Representacion visual; 3.2.2. Transcripcion de una voz; 3.2.3. El lenguaje del pueblo; 3.2.4. El pueblo como destinatario). Las conclusiones a las que hemos llegado son: 1. El pueblo esta presente; 2. Aparece integrado dentro de la fiesta; 3. Si en las voces de representantes de distintas clases sociales subyace una idea de subversion, el pueblo propone una subversion especifica, carnavalesca, un \u00abmundo al reves\u00bb, potente y solido. En cuanto a la metodolog\u00eda, hemos recurrido a distintas areas cientificas, incluyendo investigaciones recientes:  antropolog\u00eda cultural, semiotica cultural, antropolog\u00eda linguistica, sociolinguistica, sociolog\u00eda del arte, historia social, \u00abhistoire des mentalites\u00bb, semiotica literaria, narratolog\u00eda&#8230; Hemos optado por una perspectiva pluridisciplinar (cfr.Cap.Ii).<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>La dimension popular en la \u00abhistoire comique de francion\u00bb de charles sorel<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 La dimension popular en la \u00abhistoire comique de francion\u00bb de charles sorel <\/li>\n<li><strong>Autor:<\/strong>\u00a0  Mata Barreiro M. Carmen <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Complutense de Madrid<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 01\/01\/1991<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Aurora Aragon Fernandez<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: Covadonga Lopez Alonso <\/li>\n<li> Hernandez Rodriguez Francisco J. (vocal)<\/li>\n<li>Angeles Cipres Palacin (vocal)<\/li>\n<li>Mercedes Boixareu Vilaplana (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Mata Barreiro M. Carmen Nuestra investigacion en torno a una novela barroca francesa, la histoire comique de [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[148,147,986,628],"tags":[269638,596,4623,65139,269637,4626],"class_list":["post-155529","post","type-post","status-publish","format-standard","hentry","category-analisis-literario","category-ciencias-de-las-artes-y-las-letras","category-complutense-de-madrid","category-teoria-analisis-y-critica-literarios","tag-angeles-cipres-palacin","tag-aurora-aragon-fernandez","tag-covadonga-lopez-alonso","tag-hernandez-rodriguez-francisco-j","tag-mata-barreiro-m-carmen","tag-mercedes-boixareu-vilaplana"],"_links":{"self":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/155529","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/comments?post=155529"}],"version-history":[{"count":0,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/155529\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/media?parent=155529"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/categories?post=155529"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/tags?post=155529"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}