{"id":155742,"date":"2026-01-12T17:23:00","date_gmt":"2026-01-12T17:23:00","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/giovan-domenico-olivieri-y-el-taller-de-escultura-del-palacio-real\/"},"modified":"2026-01-12T17:23:00","modified_gmt":"2026-01-12T17:23:00","slug":"giovan-domenico-olivieri-y-el-taller-de-escultura-del-palacio-real","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/historia\/giovan-domenico-olivieri-y-el-taller-de-escultura-del-palacio-real\/","title":{"rendered":"Giovan domenico olivieri y el taller de escultura del palacio real."},"content":{"rendered":"<h2>Tesis doctoral de <strong>  Tarraga Baldo M. Luisa <\/strong><\/h2>\n<p>La tesis esta centrada en el conocimiento de la vida, el taller y la obra del escultor italiano giovan domenico olivieri, que vino a Madrid procedente de turin llamado por el monarca espa\u00f1ol felipe v para idear y dirigir la decoracion escultorica del palacio real. Aparte de haber contribuido a la europeizacion de nuestro arte, debemos tambien a su iniciativa la fundacion de la real academia de bellas artes de san fernando de gran trascendencia en la formacion de nuestros artistas y consecuentemente en el arte espa\u00f1ol de este siglo y posteriormente.  su obra ha quedado principalmente en el palacio real de Madrid, aranjuez, el pardo, monasterio de la visitacion o salesas reales, real academia de bellas artes de san fernando, etc., Aunque una gran parte de ella ha desaparecido o al menos no ha sido posible hasta el momento su localizacion. Algo similar ha sucedido con los cuantiosos dibujos que dise\u00f1o con destino a la decoracion del palacio.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Giovan domenico olivieri y el taller de escultura del palacio real.<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Giovan domenico olivieri y el taller de escultura del palacio real. <\/li>\n<li><strong>Autor:<\/strong>\u00a0  Tarraga Baldo M. Luisa <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Complutense de Madrid<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 01\/01\/1991<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li> P\u00e9rez S\u00e1nchez Alfonso Emilio<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: Francisco Jos\u00e9 Portela Sandoval <\/li>\n<li> Martin Gonzalez J. J. (vocal)<\/li>\n<li>Mar\u00eda Estella Marcos (vocal)<\/li>\n<li>  (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Tarraga Baldo M. Luisa La tesis esta centrada en el conocimiento de la vida, el taller y [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[986,104,1014,222],"tags":[5884,269880,269879,5603,269878],"class_list":["post-155742","post","type-post","status-publish","format-standard","hentry","category-complutense-de-madrid","category-historia","category-historia-del-arte","category-historias-especializadas","tag-francisco-jose-portela-sandoval","tag-maria-estella-marcos","tag-martin-gonzalez-j-j","tag-perez-sanchez-alfonso-emilio","tag-tarraga-baldo-m-luisa"],"_links":{"self":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/155742","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/comments?post=155742"}],"version-history":[{"count":0,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/155742\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/media?parent=155742"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/categories?post=155742"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/tags?post=155742"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}