{"id":155856,"date":"2026-01-12T17:23:58","date_gmt":"2026-01-12T17:23:58","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/estetica-musical-del-barroco-tardio-valenciano-jose-pradas-gallen\/"},"modified":"2026-01-12T17:23:58","modified_gmt":"2026-01-12T17:23:58","slug":"estetica-musical-del-barroco-tardio-valenciano-jose-pradas-gallen","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/ciencias-de-las-artes-y-las-letras\/estetica-musical-del-barroco-tardio-valenciano-jose-pradas-gallen\/","title":{"rendered":"\u00abestetica musical del barroco tardio Valenciano. jose pradas gallen\u00bb."},"content":{"rendered":"<h2>Tesis doctoral de <strong>  Palacios Garoz Jos\u00e9 Luis <\/strong><\/h2>\n<p>Se estudian las relaciones entre filosofia y musica a traves de la obra del compositor barroco jose pradas gallen, y las vinculaciones de sus villancicos con el desarrollo especulativo del momento filosofico que se vive en europa, espa\u00f1a y Valencia. La primera parte consiste en una breve historia de aquellos pensadores que han tratado temas comunes a la filosofia y la musica. La segunda compone el marco obligado -socio-politico-economico, cultural, religioso, y artistico y sobre todo, musical para la tercera parte.  esta versa sobre vida y obra teorica, \u00abpoetica\u00bb (compositiva) y practica de pradas. La ultima parte esta dedicada al ana musico-vocal de sus villancicos, una de las obras mas representativas del barroco Valenciano.  la conclusion:  mientras la musica de sus villancicos es concorde con las corrientes filosoficas contemporaneas europeas, el texto se situa totalmente del lado de la filosofia tradicional espa\u00f1ola.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>\u00abestetica musical del barroco tardio Valenciano. jose pradas gallen\u00bb.<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 \u00abestetica musical del barroco tardio Valenciano. jose pradas gallen\u00bb. <\/li>\n<li><strong>Autor:<\/strong>\u00a0  Palacios Garoz Jos\u00e9 Luis <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 M\u00e1laga<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 01\/01\/1991<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Juan  Fernando Ortega Mu\u00f1oz<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: Oriol Martorell Codina <\/li>\n<li>Juan Garcia Gonzalez (vocal)<\/li>\n<li>Rom\u00ed\u00a0 De La Calle De La Calle (vocal)<\/li>\n<li> Garces Gomez Mar\u00eda  Pilar (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Palacios Garoz Jos\u00e9 Luis Se estudian las relaciones entre filosofia y musica a traves de la obra [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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