{"id":156092,"date":"2026-01-12T17:26:01","date_gmt":"2026-01-12T17:26:01","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/la-poetica-de-lo-nuevo-en-el-teatro-de-gomez-de-la-serna\/"},"modified":"2026-01-12T17:26:01","modified_gmt":"2026-01-12T17:26:01","slug":"la-poetica-de-lo-nuevo-en-el-teatro-de-gomez-de-la-serna","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/historia\/la-poetica-de-lo-nuevo-en-el-teatro-de-gomez-de-la-serna\/","title":{"rendered":"La poetica de lo nuevo en el teatro de gomez de la serna."},"content":{"rendered":"<h2>Tesis doctoral de <strong> Alfredo Martinez Exposito <\/strong><\/h2>\n<p>La tesis parte de una edicion critica del teatro completo de gomez de la serna, labor inedita que permite una fijacion del texto con todas sus variantes. El enfoque critico de estas diecisiete obras dramaticas se realiza en cuatro fases: (1) aproximacion historica, situando toda la produccion en una linea diacronica y contextual centrada en la primera etapa literaria del autor; (2) consideracion estetica de los aspectos innovadores del teatro ramoniano en relacion con la crisis vanguardista de la modernidad; (3) analisis de lo nuevo como fenomeno diacronico, incidiendo especialmente en sus valores hermeneuticos e intertextuales; (4) exegesis del teatro ramoniano desde el punto de vista sincronico-diacronico de la poetica de lo nuevo. La tesis incluye una introduccion metodologica y una sistematizacion de conclusiones, asi como aparato bibliografico.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>La poetica de lo nuevo en el teatro de gomez de la serna.<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 La poetica de lo nuevo en el teatro de gomez de la serna. <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Alfredo Martinez Exposito <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Oviedo<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 01\/01\/1991<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Alberto Alvarez Sanagustin<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: Carmen Bobes Naves <\/li>\n<li>Rafael Nu\u00f1ez Ramos (vocal)<\/li>\n<li>Miguel \u00e1ngel Garrido Gallardo (vocal)<\/li>\n<li>Carolyn Richmond (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Alfredo Martinez Exposito La tesis parte de una edicion critica del teatro completo de gomez de la [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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