{"id":156208,"date":"2026-01-12T17:27:14","date_gmt":"2026-01-12T17:27:14","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/claude-hopil-poeta-mistico-estudio-tematico\/"},"modified":"2026-01-12T17:27:14","modified_gmt":"2026-01-12T17:27:14","slug":"claude-hopil-poeta-mistico-estudio-tematico","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/ciencias-de-las-artes-y-las-letras\/claude-hopil-poeta-mistico-estudio-tematico\/","title":{"rendered":"Claude hopil. poeta mistico. estudio tematico."},"content":{"rendered":"<h2>Tesis doctoral de <strong> Angela Flores Garcia <\/strong><\/h2>\n<p>Autor espiritual frances practicamente desconocido de la primera parte del siglo xvii autor de 7 obras, cinco de ellas en verso. Analisis de lineas y autores de influencia en su espiritualidad y en su obra.  1. Parte. Hopil manifiesta una marcada actitud de tension de busqueda de dios, que nos permite enmarcarle en la mistica de la aspiracion, imagenes y lexico.  2. Parte. Sus primeras obras (1603-1604) siguen la poetica de la epoca. Los recursos de retorica presentes en ellas buscan la conversion propia y de los demas.  3. Parte. Convertida el alma hacia dios, vaciada y purgada de todo, comienza una etapa de pensamiento concentrado en dios. Analisis de los recursos de la expresion de lo divino.  4. Parte.  analisis de la expresion de la union. Metaforas e imagenes esenciales subrayan la entrada y vida en dios.  otras expresan el gozo y exceso de la experiencia mistica. Los sentidos espirituales.  5. Parte. Analisis de las imagenes hopilianas de la vision\/entrevision y la no vision de dios, la tiniebla y la noche son, paradojicamente, simbolos de vision y de conocimientos.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Claude hopil. poeta mistico. estudio tematico.<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Claude hopil. poeta mistico. estudio tematico. <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Angela Flores Garcia <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Salamanca<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 01\/01\/1991<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Frandji Martine Torrens<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: Roberto Ruiz Capellan <\/li>\n<li>Mar\u00eda  Jes\u00fas Mancho Duque (vocal)<\/li>\n<li>Jes\u00fas Cascon  Marcos (vocal)<\/li>\n<li>Vicenta Hernandez Alvarez (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Angela Flores Garcia Autor espiritual frances practicamente desconocido de la primera parte del siglo xvii autor de [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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