{"id":156429,"date":"2026-01-12T17:29:27","date_gmt":"2026-01-12T17:29:27","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/el-nuevo-cine-brasileno-1954-1974\/"},"modified":"2026-01-12T17:29:27","modified_gmt":"2026-01-12T17:29:27","slug":"el-nuevo-cine-brasileno-1954-1974","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/historia\/el-nuevo-cine-brasileno-1954-1974\/","title":{"rendered":"El nuevo cine brasile\u00f1o (1954-1974)."},"content":{"rendered":"<h2>Tesis doctoral de <strong>  Amar Rodriguez Victor Manuel <\/strong><\/h2>\n<p>Con la presente tesis doctoral hemos intentado, entre sus fines primordiales, analizar y dar a conocer la historia del cine nuevo brasile\u00f1o. Dividiendo el trabajo en cuatro fases-capitulos que obedecen a una coordenadas ya sean de tipo cinematograficas, o bien de tipo politicas.  en nuestra \u00abre-vision\u00bb iremos desarrollando lo que, en nuestra opinion, creemos son las cintas y directores mas significativos del movimiento cinematografico, y con su estudio nos ayudaran a una mejor compresion del desgraciadamente desconocido cine america latina.  en el transcurso del estudio se iran aclarando algunas cuestiones y creandose otras, siendo este el objetivo principal, ya que un trabajo de interpretacion se presta a ello. Y sobre todo motivar al lector a reflexionar sobre la realidad de america del sur.  finalizaremos con un apartado dedicado a las conclusiones, donde haremos una valoracion de conjunto y por separado de cada uno de los diferentes apartados que fueron surgiendo en su elaboracion, asi como: musica, critica, literatura, interpretacion, direccion&#8230; Y su aportacion al cine brasile\u00f1o y mundial.  a traves de una veintena de directores, con aproximadamente cuarenta largometrajes y una decena de documentales, queremos aportar nuestro peque\u00f1o homenaje, en calidad de estudiantes, al v centenario del encuentro de dos culturas; y desear que el cine el movil para el acercamiento cultural de estos dos pueblos a un lado y otro del atlantico.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>El nuevo cine brasile\u00f1o (1954-1974).<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 El nuevo cine brasile\u00f1o (1954-1974). <\/li>\n<li><strong>Autor:<\/strong>\u00a0  Amar Rodriguez Victor Manuel <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Sevilla<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 01\/01\/1991<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Fernando Martin Martin<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: Fernando Perez Mullet <\/li>\n<li>Alberto Ramos Santa-ana (vocal)<\/li>\n<li>Adolfo Gonzalez Rodriguez (vocal)<\/li>\n<li> Suarez Garmendia Jos\u00e9 Manuel (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Amar Rodriguez Victor Manuel Con la presente tesis doctoral hemos intentado, entre sus fines primordiales, analizar y [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[147,5547,104,2563,222,10715,1111],"tags":[76661,270521,48803,25821,270520,49303],"class_list":["post-156429","post","type-post","status-publish","format-standard","hentry","category-ciencias-de-las-artes-y-las-letras","category-cinematografia","category-historia","category-historia-del-arte-de-los-siglos-xix-y-xx","category-historias-especializadas","category-sevilla","category-teoria-analisis-y-critica-de-las-bellas-artes","tag-adolfo-gonzalez-rodriguez","tag-alberto-ramos-santa-ana","tag-amar-rodriguez-victor-manuel","tag-fernando-martin-martin","tag-fernando-perez-mullet","tag-suarez-garmendia-jose-manuel"],"_links":{"self":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/156429","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/comments?post=156429"}],"version-history":[{"count":0,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/156429\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/media?parent=156429"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/categories?post=156429"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/tags?post=156429"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}