{"id":15694,"date":"2018-03-09T09:02:58","date_gmt":"2018-03-09T09:02:58","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/la-ilustracion-en-los-libros-de-la-imprenta-de-alcala-siglo-xvi\/"},"modified":"2018-03-09T09:02:58","modified_gmt":"2018-03-09T09:02:58","slug":"la-ilustracion-en-los-libros-de-la-imprenta-de-alcala-siglo-xvi","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/historia\/la-ilustracion-en-los-libros-de-la-imprenta-de-alcala-siglo-xvi\/","title":{"rendered":"La ilustraci\u00f3n en los libros de la imprenta de alcala (siglo xvi)"},"content":{"rendered":"<h2>Tesis doctoral de <strong>  Santos Quer M. Angeles <\/strong><\/h2>\n<p>La presente tesis trata del estudio del grabado, concretamente el destinado a la ilustraci\u00f3n del libro impreso en la ciudad de alcal\u00e1 de henares durante el siglo xvi.  el estudio ha consistido en primer lugar en la elaboraci\u00f3n de un cat\u00e1logo completo de ilustraciones inclu\u00eddas en los libros impresos en alcal\u00e1 de henares entre 1502-1600, ctalog\u00e1ndolas minuciosamente, describi\u00e9ndolas y estudi\u00e1ndolas.  a continuaci\u00f3n hemos procedido al estudio de las ilustraciones recopiladas, examin\u00e1ndolas desde distintos puntos de vista, que quedan materializados en los distintos cap\u00edtulos, encuadr\u00e1ndolas tambi\u00e9n en el momento en que vieron la luz para la que fueron destinadas, por lo que el inter\u00e9s de la tesis, se ha basado principalmente en ofrecer una imagen de c\u00f3mo fue la producci\u00f3n bibliogr\u00e1fica con las ilustraciones, en el conocimiento de las t\u00e9cnicas, las relaciones, el alcance e influencias y escuelas de grabado que sirvieron como modelos de inspiraci\u00f3n.  finalmente hemos incluido una reflexi\u00f3n \u00faltima sobre la importancia de las ilustraciones en la producci\u00f3n complutense y sobre el origen de las mismas.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>La ilustraci\u00f3n en los libros de la imprenta de alcala (siglo xvi)<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 La ilustraci\u00f3n en los libros de la imprenta de alcala (siglo xvi) <\/li>\n<li><strong>Autor:<\/strong>\u00a0  Santos Quer M. Angeles <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Alcal\u00e1<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 21\/02\/2002<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Rosa L\u00f3pez Torrijos<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: pedro manuel C\u00e1tedra Garc\u00eda <\/li>\n<li>adela Espinosa d\u00edaz (vocal)<\/li>\n<li>blanca Garcia vega (vocal)<\/li>\n<li>Juan a Hidalgo ogayar (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Santos Quer M. Angeles La presente tesis trata del estudio del grabado, concretamente el destinado a la [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[17426,147,4100,104,1014,222,1111],"tags":[49931,49932,49933,11880,7213,49930],"class_list":["post-15694","post","type-post","status-publish","format-standard","hentry","category-alcala","category-ciencias-de-las-artes-y-las-letras","category-dibujo-y-grabado","category-historia","category-historia-del-arte","category-historias-especializadas","category-teoria-analisis-y-critica-de-las-bellas-artes","tag-adela-espinosa-diaz","tag-blanca-garcia-vega","tag-juan-a-hidalgo-ogayar","tag-pedro-manuel-catedra-garcia","tag-rosa-lopez-torrijos","tag-santos-quer-m-angeles"],"_links":{"self":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/15694","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/comments?post=15694"}],"version-history":[{"count":0,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/15694\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/media?parent=15694"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/categories?post=15694"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/tags?post=15694"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}