{"id":15768,"date":"2018-03-09T09:03:04","date_gmt":"2018-03-09T09:03:04","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/tendencias-de-lo-nacional-en-la-creacion-instrumental-cubana-contemporanea-1947-1980\/"},"modified":"2018-03-09T09:03:04","modified_gmt":"2018-03-09T09:03:04","slug":"tendencias-de-lo-nacional-en-la-creacion-instrumental-cubana-contemporanea-1947-1980","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/historia\/tendencias-de-lo-nacional-en-la-creacion-instrumental-cubana-contemporanea-1947-1980\/","title":{"rendered":"Tendencias de lo nacional en la creaci\u00f3n instrumental cubana contempor\u00e1nea 1947-1980"},"content":{"rendered":"<h2>Tesis doctoral de <strong> Marta Mar\u00eda Rodriguez Cuervo <\/strong><\/h2>\n<p>Las obras musicales creadas en el marco de una cultura determinada presentan una serie de rasgos, comportamientos espec\u00edficos, \u00abmaneras de hacer\u00bb que ponen de manifiesto la relaci\u00f3n que un compositor y su obra tienen con el entorno, a trav\u00e9s de tomas directas o reelaboraciones m\u00e1s o menos abstractas con respecto a la cultura popular tradicional.  en el trabajo, la autora selecciona ocho obras de distintos compositores cubanos pertenecientes a diferentes per\u00edodos. Se comparan entre s\u00ed para extraer las reglas y estrategias que determinan el comportamiento de algunos princios que rigen en la m\u00fasica cubana.  por su parte, las obras seleccionadas son todas instrumentales, escritas para aun instrumento, conjunto de c\u00e1mara u orquesta sinf\u00f3nica entre los a\u00f1os 1947 y 1980, por autores vinculados con una historia com\u00fan de vivencias musicales y entornos que les relacionan dentro de la muestra elegida. A excepci\u00f3n de argeliers le\u00f3n, los compositores seleccionados est\u00e1n vivos y en pleno procesos de creaci\u00f3n.  al transitar por el an\u00e1lisis de estas ocho obras, se demuestra que la identidad reside en la acci\u00f3n dial\u00e9ctica de todos aquellos elementos que integran el comportamiento est\u00e9tico-musical del cubano y que adquieren diversos modos de expresarse en el decursar hist\u00f3rico, a partir de un constante proceso de tradici\u00f3n-renovaci\u00f3n, lo cual implica la posible vigencia de muchos de esos comportamientos hist\u00f3ricamente establecidos, en la m\u00fasica contempor\u00e1nea.  en el an\u00e1lisis, se estudia el principio del contraste y sus variables, en todos sus par\u00e1metros, para as\u00ed caracterizar los modos posibles en que \u00e9ste se expresa, su funci\u00f3n o papel como impulso desde el inicio mismo de la obra y en la determinaci\u00f3n de n\u00facleos o zonas de significados a nivel de micro y macro-estructuras.  se concluye demostrando las funciones relativamente estables de soporte en: estructuras cortas y concentradas que contrastan, alternan o se superp<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Tendencias de lo nacional en la creaci\u00f3n instrumental cubana contempor\u00e1nea 1947-1980<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Tendencias de lo nacional en la creaci\u00f3n instrumental cubana contempor\u00e1nea 1947-1980 <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Marta Mar\u00eda Rodriguez Cuervo <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Complutense de Madrid<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 25\/02\/2002<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Emilio Casares Rodicio<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: victoria Eli rodr\u00edguez <\/li>\n<li>Elena P\u00e9rez vel\u00e1zquez (vocal)<\/li>\n<li>ram\u00f3n Barce benito (vocal)<\/li>\n<li>enrique Camara de landa (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Marta Mar\u00eda Rodriguez Cuervo Las obras musicales creadas en el marco de una cultura determinada presentan una [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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