{"id":16331,"date":"2002-09-04T00:00:00","date_gmt":"2002-09-04T00:00:00","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/francisco-pedrasa-munoz-la-pintura-en-badajoz-en-la-segunda-mitad-del-siglo-xx\/"},"modified":"2002-09-04T00:00:00","modified_gmt":"2002-09-04T00:00:00","slug":"francisco-pedrasa-munoz-la-pintura-en-badajoz-en-la-segunda-mitad-del-siglo-xx","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/historia\/francisco-pedrasa-munoz-la-pintura-en-badajoz-en-la-segunda-mitad-del-siglo-xx\/","title":{"rendered":"Francisco pedrasa mu\u00f1oz: la pintura en badajoz en la segunda mitad del siglo xx"},"content":{"rendered":"<h2>Tesis doctoral de <strong> Zacar\u00edas Calzado Almodovar <\/strong><\/h2>\n<p>Este trabajo aborda un estudio de la pintura en badajoz en la segunda mitad del siglo xx a trav\u00e9s de la figura del artista francisco pedrasa. estructurado en tres vol\u00famenes, el primero a su vez en cuatro cap\u00edtulos:  i,- badajoz, historia y cultura, arte en extramadura y cronolog\u00eda de las transformaciones est\u00e9ticas en extremadura.  ii,- biograf\u00eda, entrevista y cronolog\u00eda.  iii,- an\u00e1lisis de la obra.  iv,- pedrasa ante la cr\u00edtica.  el segundo volumen formaliza el cat\u00e1logo de las obras del pintor, agrupada en once periodos, que abarcan desde la \u00e9poca de formaci\u00f3n en los a\u00f1os cuarenta hasta su evoluci\u00f3n en los \u00faltimos a\u00f1os del siglo x.  el tercer volumen ocupa un diccionario de doscientos treinta y cuatro artistas coetaneos de pedrasa.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Francisco pedrasa mu\u00f1oz: la pintura en badajoz en la segunda mitad del siglo xx<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Francisco pedrasa mu\u00f1oz: la pintura en badajoz en la segunda mitad del siglo xx <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Zacar\u00edas Calzado Almodovar <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Sevilla<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 09\/04\/2002<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li> G\u00f3mez De La Torre Juan  J.<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: Francisco Borr\u00e1s verdera <\/li>\n<li>ramiro Mejias l\u00f3pez (vocal)<\/li>\n<li>Francisco Lagares prieto (vocal)<\/li>\n<li>Manuel Losada l\u00f3pez (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Zacar\u00edas Calzado Almodovar Este trabajo aborda un estudio de la pintura en badajoz en la segunda mitad 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