{"id":16341,"date":"2002-10-04T00:00:00","date_gmt":"2002-10-04T00:00:00","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/aloma-1936-de-merca%c2%a8-rodoreda-estudio-y-edicion-cra%c2%adtica\/"},"modified":"2002-10-04T00:00:00","modified_gmt":"2002-10-04T00:00:00","slug":"aloma-1936-de-merca%c2%a8-rodoreda-estudio-y-edicion-cra%c2%adtica","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/ciencias-de-las-artes-y-las-letras\/aloma-1936-de-merca%c2%a8-rodoreda-estudio-y-edicion-cra%c2%adtica\/","title":{"rendered":"\u00abaloma\u00bb (1936) de merc\u00e9 rodoreda: estudio y edici\u00f3n cr\u00edtica"},"content":{"rendered":"

Tesis doctoral de Mor\u00e1n Arroyo M. Berta <\/strong><\/h2>\n

El objetivo de esta tesis es hacer una aportaci\u00f3n al estudio de la versi\u00f3n de aloma de 1936 mediante los materiales resultantes de su edici\u00f3n cr\u00edtica y los materiales del estudio comparativo de las dos versiones de esta obra y observar a trav\u00e9s de los mismos el cambio cualitativo que se ha producido en aloma de 1969. para alcanzar dicho objetivo se han revisado una serie de aspectos: 1,- las l\u00edneas generales de la literatura catalana de los a\u00f1os 20-30, en especial la novela. 2,- la entrada de m. Rodoreda en la literatura a partir del periodismo y otras ayudas: -el liceu dalmau; -la colla de sabadell y -el club dels novel.Listes. 3,- analizar las lecturas, obras y escritores que nos encaminan a aloma. las lecturas que hace rodoreda las conocemos por las citas que abren cada cap\u00edtulo de aloma y tambi\u00e9n porque es ella manifiesta que le\u00eda lo que aparec\u00eda en las destacadas colecciones de entonces: biblioteca \u00abunivers\u00bb, biblioteca de la rosa dels vents, quaderns literaris. Las obras como julita, la papallona o pilar prim, solitud y vida privada por se las que nos conducen a aloma pero no por eso obviaremos que merc\u00e9 rodoreda asume y es continuadora de la literatura catalana que se hab\u00eda hecho hasta el momento: llull, verdaguer, carner, ruyra …, Que ser\u00e1n sus maestros. 4,- se describen las 2 versiones de aloma: externamente son obras m\u00e1s bien cortas, divididas en 20 cap\u00edtulos. \u00e9Sta se gestar\u00e1 a partir de la biograf\u00eda de la propia escritora, al igual que sucede en las obras precedentes. en esta novela resumir\u00e1 lo que fue su vida unos a\u00f1os anteriores a cuando se dispon\u00eda a escribir aloma. \u00e9Sta no saldr\u00e1 a la luz hasta 1937 en que gana el premio joan crexells y la instituci\u00f3 de les lletres catalanes la publicar\u00e1 en 1938. A pesar de salir en estas cr\u00edticas fechas tuvo muy buena recepci\u00f3n tal y como podemos apreciar por documentos recogidos en los archivos de la fundaci\u00f3 merc\u00e9 rodoreda y en la prensa de aque<\/p>\n

 <\/p>\n

Datos acad\u00e9micos de la tesis doctoral \u00ab\u00abaloma\u00bb (1936) de merc\u00e9 rodoreda: estudio y edici\u00f3n cr\u00edtica<\/strong>\u00ab<\/h3>\n
    \n
  • T\u00edtulo de la tesis:<\/strong>\u00a0 \u00abaloma\u00bb (1936) de merc\u00e9 rodoreda: estudio y edici\u00f3n cr\u00edtica <\/li>\n
  • Autor:<\/strong>\u00a0 Mor\u00e1n Arroyo M. Berta <\/li>\n
  • Universidad:<\/strong>\u00a0 Complutense de Madrid<\/li>\n
  • Fecha de lectura de la tesis:<\/strong>\u00a0 10\/04\/2002<\/li>\n<\/ul>\n

     <\/p>\n

    Direcci\u00f3n y tribunal<\/h3>\n
      \n
    • Director de la tesis<\/strong>\n
        \n
      • Joaquim Molas Batllori<\/li>\n<\/ul>\n<\/li>\n
      • Tribunal<\/strong>\n
          \n
        • Presidente del tribunal: eugenia Popeanga chelaru <\/li>\n
        • rosa Cabr\u00e9 monn\u00e9 (vocal)<\/li>\n
        • julia Buti\u00f1a jim\u00e9nez (vocal)<\/li>\n
        • adolfo Piquer vidal (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n

           <\/p>\n","protected":false},"excerpt":{"rendered":"

          Tesis doctoral de Mor\u00e1n Arroyo M. Berta El objetivo de esta tesis es hacer una aportaci\u00f3n al estudio de la […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[147,149,628],"tags":[51697,6247,33896,51696,51695,34195],"class_list":["post-16341","post","type-post","status-publish","format-standard","hentry","category-ciencias-de-las-artes-y-las-letras","category-critica-de-textos","category-teoria-analisis-y-critica-literarios","tag-adolfo-piquer-vidal","tag-eugenia-popeanga-chelaru","tag-joaquim-molas-batllori","tag-julia-butina-jimenez","tag-moran-arroyo-m-berta","tag-rosa-cabre-monne"],"_links":{"self":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/16341","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/comments?post=16341"}],"version-history":[{"count":0,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/16341\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/media?parent=16341"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/categories?post=16341"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/tags?post=16341"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}