{"id":16806,"date":"2002-10-05T00:00:00","date_gmt":"2002-10-05T00:00:00","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/el-caudal-del-arte-de-accion-la-trayectoria-artistica-de-esther-ferrer\/"},"modified":"2002-10-05T00:00:00","modified_gmt":"2002-10-05T00:00:00","slug":"el-caudal-del-arte-de-accion-la-trayectoria-artistica-de-esther-ferrer","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/ciencias-de-las-artes-y-las-letras\/el-caudal-del-arte-de-accion-la-trayectoria-artistica-de-esther-ferrer\/","title":{"rendered":"El caudal del arte de accion. la trayectoria artistica de esther ferrer."},"content":{"rendered":"<h2>Tesis doctoral de <strong>  Rodriguez Sunico M. Teresa <\/strong><\/h2>\n<p>La tesis se plantea desde una hipotesis que encuentre las respuestas m\u00faltiples que significan las vanguardias art\u00edsticas para dentro de ellas estudiar produndamente la personalidad art\u00edstica de una de las creadoras pl\u00e1sticas contemporaneas espa\u00f1olas (esther ferrer) como figura dentro de las vanguardias europeas y su aportaci\u00f3n a la pl\u00e1stica contemporanea en espa\u00f1a.  su m\u00e9todo investigador se sustenta en el an\u00e1lisis hist\u00f3rico desde las referencias bibliograficas, catalogr\u00e1ficas, revistas y cat\u00e1logos en el \u00e1mbito mundial, centrandose concluyentemente en la personalidad y la acci\u00f3n de la artista espa\u00f1ola, con la aportaci\u00f3n directa de su propia persona aportando con ello una inedita documentacion.  la tesis presenta conjuntamente un documento directo de arte de acci\u00f3n realizado en cd-rom multimedia como complemento en el que se recoje: la voz, la acci\u00f3n y la obra de la artista estudiada.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>El caudal del arte de accion. la trayectoria artistica de esther ferrer.<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 El caudal del arte de accion. la trayectoria artistica de esther ferrer. <\/li>\n<li><strong>Autor:<\/strong>\u00a0  Rodriguez Sunico M. Teresa <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Sevilla<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 10\/05\/2002<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Manuel Alvarez Fijo<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: joan Sureda i pons <\/li>\n<li>mercedes Espiau eizaguirre (vocal)<\/li>\n<li>Francisco Lagares prieto (vocal)<\/li>\n<li>anna Mar\u00eda Guasch ferrer (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Rodriguez Sunico M. Teresa La tesis se plantea desde una hipotesis que encuentre las respuestas m\u00faltiples que [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[147,3806,10715,1111],"tags":[50763,4969,6786,52908,52909,52907],"class_list":["post-16806","post","type-post","status-publish","format-standard","hentry","category-ciencias-de-las-artes-y-las-letras","category-pintura","category-sevilla","category-teoria-analisis-y-critica-de-las-bellas-artes","tag-anna-maria-guasch-ferrer","tag-francisco-lagares-prieto","tag-joan-sureda-i-pons","tag-manuel-alvarez-fijo","tag-mercedes-espiau-eizaguirre","tag-rodriguez-sunico-m-teresa"],"_links":{"self":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/16806","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/comments?post=16806"}],"version-history":[{"count":0,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/16806\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/media?parent=16806"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/categories?post=16806"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/tags?post=16806"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}