{"id":17280,"date":"2002-07-06T00:00:00","date_gmt":"2002-07-06T00:00:00","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/el-vestido-burgues-en-el-romanticismo-y-su-proyeccion-en-espana-1828-1868\/"},"modified":"2002-07-06T00:00:00","modified_gmt":"2002-07-06T00:00:00","slug":"el-vestido-burgues-en-el-romanticismo-y-su-proyeccion-en-espana-1828-1868","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/historia\/el-vestido-burgues-en-el-romanticismo-y-su-proyeccion-en-espana-1828-1868\/","title":{"rendered":"El vestido burgues en el romanticismo y su proyecci\u00f3n en espa\u00f1a (1828-1868)"},"content":{"rendered":"<h2>Tesis doctoral de <strong>  Pena Gonz\u00e1lez Jos\u00e9 Pablo <\/strong><\/h2>\n<p>La tesis doctoral se presenta en dos vol\u00famenes titulados: tesis y glosario.  el volumen tesis consta de las siguientes secciones:  parte 1 (\u00abintroducci\u00f3n\u00bb). Se exponen las influencias socioculturales que condicionaron la forma del traje rom\u00e1ntico, a saber: los nuevos enfoques intelectuales que suscit\u00f3 el traje desde finales del siglo xviii (de kant a comte), la renovada concreci\u00f3n de los roles masuclino y femenino producto de la consolidaci\u00f3n de la clase burguesa, la influencia de los espect\u00e1culos historicistas en la configuraci\u00f3n del gusto ecl\u00e9ctico y muy especialmente del ideal femenino (teatro, \u00f3pera, ballet), el impulos que recibi\u00f3 la moda por la masificaci\u00f3n de las revistas de moda, la formaci\u00f3n de nuevos grupos sociales en torno al vestido (dandis y bloomeristas).  parte 2 (\u00abevoluci\u00f3n\u00bb). Analiza e ilustra ampliamente con grabados y retratos la evoluci\u00f3n de las formas del vestido civil en diferentes apartados: la ropa interior, la ropa exterior femenina, la ropa exterior masculina, la ropa infantil y los trajes de boda y primera comuni\u00f3n.  conclusi\u00f3n  ap\u00e9ndices: temas espa\u00f1oles: el vaciado de revistas espa\u00f1olas nos permite introducirnos en aspectos espec\u00edficos del traje espa\u00f1ol rom\u00e1ntico: los ciclos del vestido para las mujeres espa\u00f1olas, la decadencia de algunas modas espa\u00f1olas de larga tradici\u00f3n (la mantilla y la capa), los profesionales de la moda en Madrid, desde sastres hasta comercios, y los tratados de corte y confecci\u00f3n publicados en espa\u00f1ol.  fuentes y bibliograf\u00eda.  el volumen glosario complementa al volumen anterior y comprende 309 t\u00e9rminos referidos a art\u00edculos indumentarios, previamente separados por familias:  1,- tejidos  2,- pieles  3,- ropa exterior  4,- ornamentos del vestido femenino  5,- sobretodos  6,- tocados y peinados  7,- ropa interior  8,- complementos<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>El vestido burgues en el romanticismo y su proyecci\u00f3n en espa\u00f1a (1828-1868)<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 El vestido burgues en el romanticismo y su proyecci\u00f3n en espa\u00f1a (1828-1868) <\/li>\n<li><strong>Autor:<\/strong>\u00a0  Pena Gonz\u00e1lez Jos\u00e9 Pablo <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Complutense de Madrid<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 07\/06\/2002<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Ana Mar\u00eda Arias De Coss\u00edo<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: guadalupe G\u00f3mez-ferrer morant <\/li>\n<li>concepci\u00f3n Herrero carretero (vocal)<\/li>\n<li>sofia Dieguez patao (vocal)<\/li>\n<li>Miguel Caba\u00f1as bravo (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Pena Gonz\u00e1lez Jos\u00e9 Pablo La tesis doctoral se presenta en dos vol\u00famenes titulados: tesis y glosario. el [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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