{"id":17590,"date":"2018-03-09T09:05:43","date_gmt":"2018-03-09T09:05:43","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/les-poetiques-pobres-efa%c2%admeres-i-conceptuals-a-catalunya-1964-1980\/"},"modified":"2018-03-09T09:05:43","modified_gmt":"2018-03-09T09:05:43","slug":"les-poetiques-pobres-efa%c2%admeres-i-conceptuals-a-catalunya-1964-1980","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/ciencias-de-las-artes-y-las-letras\/les-poetiques-pobres-efa%c2%admeres-i-conceptuals-a-catalunya-1964-1980\/","title":{"rendered":"Les po\u00e9tiques pobres, ef\u00edmeres i conceptuals a catalunya, 1964-1980"},"content":{"rendered":"<h2>Tesis doctoral de <strong> Pilar Parcerisas Colomer <\/strong><\/h2>\n<p>La tesis analiza hist\u00f3ricamente las practicas art\u00edsticas de ruptura de los a\u00f1os sesenta y setenta del siglo xx en catalu\u00f1a, conocidas como po\u00e9ticas pobres, ef\u00edmeras y conceptuales y que se desarrollan desde finales del informalismo hasta la recuperaci\u00f3n de pr\u00e1cticas espec\u00edficas como la pintura y la escultura de los a\u00f1os ochenta.  se reconstruye y analiza todo este per\u00edodo hist\u00f3rico que se caracteriza por la irrupci\u00f3n de nuevos lenguajes y comportamientos art\u00edsticos, basados en un arte de actitud.  se establece una cronolog\u00eda y tres periodos en todo el movimiento art\u00edstico: pre-conceptual (1964-1970), conceptual (1971-1975) y post-conceptual (1976-1980), se analiza los nuevos lenguajes y la aportaci\u00f3n de los artistas (minimalismo, arte y naturaleza, el objeto, la acci\u00f3n, el arte y la pol\u00edtica, el cine, la incursi\u00f3n en los \u00abmedia\u00bb, el video, etc.). En el marco del contexto pol\u00edtico y social de los \u00faltimos d\u00edas del franquismo. Asimismo se contextualiza la aportaci\u00f3n catalana en el marco del arte espa\u00f1ol y se hace extensible el an\u00e1lisis de dichas pr\u00e1cticas a nivel de otras areas culturales como son el eje mallorca-barcelona o el eje Madrid-barcelona, sin olvidar el contexto del arte internacional.  este periodo historico que se analiza constituye una etapa del arte que empreden un compromiso con lo pol\u00edtico y al mismo tiempo con las reivindicaciones de catalu\u00f1a como naci\u00f3n en cuanto a lengua, cultura y autonomia pol\u00edtica. se valoran las aportaciones colectivas y tambi\u00e9n las individuales, dentro de un marco de un movimiento art\u00edstico que reivindica la modernidad y la vanguardia art\u00edstica, aunque se situa justo en la frontera entre la modernidad y la posmodernidad.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Les po\u00e9tiques pobres, ef\u00edmeres i conceptuals a catalunya, 1964-1980<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Les po\u00e9tiques pobres, ef\u00edmeres i conceptuals a catalunya, 1964-1980 <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Pilar Parcerisas Colomer <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Aut\u00f3noma de barcelona<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 19\/06\/2002<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Sim\u00f3n Marchan Fiz<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: arnau Puig grau <\/li>\n<li>joaquim Dols rusi\u00f1ol (vocal)<\/li>\n<li>Antonio Mercader capella (vocal)<\/li>\n<li>josep Gifreu pinsach (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Pilar Parcerisas Colomer La tesis analiza hist\u00f3ricamente las practicas art\u00edsticas de ruptura de los a\u00f1os sesenta y [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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