{"id":17740,"date":"2018-03-09T09:05:56","date_gmt":"2018-03-09T09:05:56","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/los-cuatro-elementos-voces-internas-y-corrnes-pondencias-simbolico-plasticas\/"},"modified":"2018-03-09T09:05:56","modified_gmt":"2018-03-09T09:05:56","slug":"los-cuatro-elementos-voces-internas-y-corrnes-pondencias-simbolico-plasticas","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/ciencias-de-las-artes-y-las-letras\/los-cuatro-elementos-voces-internas-y-corrnes-pondencias-simbolico-plasticas\/","title":{"rendered":"Los cuatro elementos: voces internas y corrnes pondencias simb\u00f3lico pl\u00e1sticas"},"content":{"rendered":"<h2>Tesis doctoral de <strong> Rosa Roman Valera <\/strong><\/h2>\n<p>1,- abordar el estudio de la po\u00e9tica de los cuatro elementos de la naturaleza a trav\u00e9s de sus im\u00e1genes simb\u00f3licas.  2,- reune los s\u00edmbolos y arquetipos asociados a los elementos que reaparecen sucesivamente a lo largo de la historia de la humanidad, en culturas distanciadas y geogr\u00e1fica e hist\u00f3ricamente tales culturas son:  * la azteca y maya en la am\u00e9rica precolombina.  * la egipcia.  * la europea en la alta edad media  * la occidental en la segunda mitad del s. Xx.  3,- constata que los cuatro elementos actuan como componentes fundamentales de la imaginaci\u00f3n.  4,- situa al arte contemporaneo en la perspectiva de continuidad y reaparici\u00f3n peri\u00f3dica de im\u00e1genes materiales de los cuatro elementos. Demostrando que en el terreno de las artes pl\u00e1sticas es fuente inagotable de im\u00e1genes y s\u00edmbolo.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Los cuatro elementos: voces internas y corrnes pondencias simb\u00f3lico pl\u00e1sticas<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Los cuatro elementos: voces internas y corrnes pondencias simb\u00f3lico pl\u00e1sticas <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Rosa Roman Valera <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Sevilla<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 25\/06\/2002<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Manuel S\u00e1nchez Arcenegui<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: Antonio P\u00e9rez pineda <\/li>\n<li>Carlos Plasencia climent (vocal)<\/li>\n<li>pilar Sanchiz ochoa (vocal)<\/li>\n<li>Antonio Agudo terlero (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Rosa Roman Valera 1,- abordar el estudio de la po\u00e9tica de los cuatro elementos de la naturaleza [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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