{"id":17994,"date":"2002-02-07T00:00:00","date_gmt":"2002-02-07T00:00:00","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/la-obra-narrativa-de-francisco-umbral-1965-2001\/"},"modified":"2002-02-07T00:00:00","modified_gmt":"2002-02-07T00:00:00","slug":"la-obra-narrativa-de-francisco-umbral-1965-2001","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/ciencias-de-las-artes-y-las-letras\/la-obra-narrativa-de-francisco-umbral-1965-2001\/","title":{"rendered":"La obra narrativa de francisco umbral: 1965-2001"},"content":{"rendered":"<h2>Tesis doctoral de <strong> Eduardo Mart\u00ednez Rico <\/strong><\/h2>\n<p>En esta tesis doctoral se analiza la evoluci\u00f3n narrativa de francisco umbral, desde 1965, a\u00f1o que public\u00f3 su primera novela, balada de gamberros, hasta 2001, fecha de aparici\u00f3n de un ser de lejan\u00edas. Este libro, el \u00faltimo que estudia nuestra tesis, resulta dif\u00edcil de clasificar, tiene elementos de varios g\u00e9neros, como el diario, las memorias o el libro de poemas en prosa. Nuestro trabajo est\u00e1 dividido en dos partes fundamentales. En la primera, una serie de cap\u00edtulos generales presenta la personalidad literaria de francisco umbral a trav\u00e9s de un esbozo biogr\u00e1fico; ofrece una posible clasificaci\u00f3n de su obra, especialmente de la narrativa, e indaga en el peculiar concepto novel\u00edstico del autor, as\u00ed como la importancia que tiene la preocupaci\u00f3n estil\u00edstica en su obra.  en la segunda parte se analiza con profundidad una selecci\u00f3n de novelas y libros narrativos de francisco umbral. Conforme se avanza en este an\u00e1lisis se pone al descubrimiento la evoluci\u00f3n literaria del escritor. Hemos tenido muy en cuenta el resto de su obra, sobre todo su vertiente ensay\u00edstica y period\u00edstica, esencial para hacer inteligible su narrativa.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>La obra narrativa de francisco umbral: 1965-2001<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 La obra narrativa de francisco umbral: 1965-2001 <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Eduardo Mart\u00ednez Rico <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Complutense de Madrid<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 02\/07\/2002<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Jos\u00e9 Ignacio D\u00edez Fern\u00e1ndez<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: Antonio Prieto mart\u00edn <\/li>\n<li>\u00e1ngel Garc\u00eda galiano (vocal)<\/li>\n<li> Caballe masforrol Ana Mar\u00eda (vocal)<\/li>\n<li>paloma Fanconi villar (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Eduardo Mart\u00ednez Rico En esta tesis doctoral se analiza la evoluci\u00f3n narrativa de francisco umbral, desde 1965, [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[148,147,628],"tags":[24054,4674,56047,56045,56046,5710],"class_list":["post-17994","post","type-post","status-publish","format-standard","hentry","category-analisis-literario","category-ciencias-de-las-artes-y-las-letras","category-teoria-analisis-y-critica-literarios","tag-angel-garcia-galiano","tag-antonio-prieto-martin","tag-caballe-masforrol-ana-maria","tag-eduardo-Martinez-rico","tag-jose-ignacio-diez-fernandez","tag-paloma-fanconi-villar"],"_links":{"self":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/17994","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/comments?post=17994"}],"version-history":[{"count":0,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/17994\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/media?parent=17994"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/categories?post=17994"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/tags?post=17994"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}