{"id":18277,"date":"2002-10-07T00:00:00","date_gmt":"2002-10-07T00:00:00","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/el-impreso-comercial-litografiado-en-asturias-1920-1973\/"},"modified":"2002-10-07T00:00:00","modified_gmt":"2002-10-07T00:00:00","slug":"el-impreso-comercial-litografiado-en-asturias-1920-1973","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/historia\/el-impreso-comercial-litografiado-en-asturias-1920-1973\/","title":{"rendered":"El impreso comercial litografiado en asturias (1920-1973)"},"content":{"rendered":"<h2>Tesis doctoral de <strong>  D\u00edaz Gonz\u00e1lez M. Mar <\/strong><\/h2>\n<p>A partir de la catalogaci\u00f3n de piedras y planchas matrices, cuyo detenido an\u00e1lisis ha proporcionado una gran informaci\u00f3n en lo que se refiere a los procesos t\u00e9cnicos y a la creaci\u00f3n de im\u00e1genes impresas, se ha investigado acerca del sistema de producci\u00f3n litografiado desarrollado en los siete \u00fanicos talleres asturianos (metalgr\u00e1fica mor\u00e9, compa\u00f1\u00eda asturiana de artes gr\u00e1ficas, litograf\u00eda de luciano m. Mu\u00f1iz, litograf\u00eda vi\u00f1a, litograf\u00eda luba, litograf\u00eda de la diputaci\u00f3n provincial de oviedo y litograf\u00eda de ramiro p\u00e9rez del r\u00edo). La amplia delimitaci\u00f3n cronol\u00f3gica de cincuenta y tres a\u00f1os (1920-1973) ha permitido abordar una serie de factores determinantes en la evoluci\u00f3n de estas empresas a las que han trazado tanto sus mejores y mas florecientes periodos como su declive y posterior desaparici\u00f3n. Las circunstancias socioecon\u00f3micas y pol\u00edticas y hechos tan relevantes como la primera guerra mundial, la guerra civil, la posguerra, la segunda guerra mundial, la \u00e9poca del desarrollismo, han influido favorablemente y\/o desfavorablemente seg\u00fan las circunstancias y acontecimientos.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>El impreso comercial litografiado en asturias (1920-1973)<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 El impreso comercial litografiado en asturias (1920-1973) <\/li>\n<li><strong>Autor:<\/strong>\u00a0  D\u00edaz Gonz\u00e1lez M. Mar <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Oviedo<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 10\/07\/2002<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Javier Bar\u00f3n Thaidigsmann<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal:  Morales saro Mar\u00eda cruz <\/li>\n<li>Juan Carrete parrondo (vocal)<\/li>\n<li>Manuel Garc\u00eda guatas (vocal)<\/li>\n<li>Juan Mart\u00ednez moro (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de D\u00edaz Gonz\u00e1lez M. Mar A partir de la catalogaci\u00f3n de piedras y planchas matrices, cuyo detenido an\u00e1lisis [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[104,1014,222,8846],"tags":[56780,56781,17311,28328,28798,4516],"class_list":["post-18277","post","type-post","status-publish","format-standard","hentry","category-historia","category-historia-del-arte","category-historias-especializadas","category-oviedo","tag-diaz-gonzalez-m-mar","tag-javier-baron-thaidigsmann","tag-juan-carrete-parrondo","tag-juan-Martinez-moro","tag-manuel-garcia-guatas","tag-morales-saro-maria-cruz"],"_links":{"self":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/18277","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/comments?post=18277"}],"version-history":[{"count":0,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/18277\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/media?parent=18277"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/categories?post=18277"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/tags?post=18277"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}