{"id":18914,"date":"2002-12-09T00:00:00","date_gmt":"2002-12-09T00:00:00","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/uninci-cine-y-oposicion-pola%c2%adtica-bajo-el-franquismo\/"},"modified":"2002-12-09T00:00:00","modified_gmt":"2002-12-09T00:00:00","slug":"uninci-cine-y-oposicion-pola%c2%adtica-bajo-el-franquismo","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/historia\/uninci-cine-y-oposicion-pola%c2%adtica-bajo-el-franquismo\/","title":{"rendered":"Uninci: cine y oposici\u00f3n pol\u00edtica bajo el franquismo"},"content":{"rendered":"<h2>Tesis doctoral de <strong> Alicia Salvador Mara\u00f1\u00f3n <\/strong><\/h2>\n<p>La tesis aborda el estudio de una emblem\u00e1tica productora cinematogr\u00e1fica espa\u00f1ola entre su origen en 1949 y el cese de sus actividades hacia 1962: uninci, empresa cinematogr\u00e1fica que se sale de los par\u00e1metros de un cine anodino y acomodaticio plegado a las l\u00edneas impuestas apostando por personas nuevas y temas menos trillados cuando ello no era f\u00e1cil ni frecuente. Punto de atracci\u00f3n de buena parte de los cineastas inquietos y no \u00abestablecidos\u00bb que iban apareciendo, as\u00ed como de intelectuales de otros campos, fue convirti\u00e9ndose, al tiempo que una empresa bajo la forma de s.A., En lugar de encuentro y caja de resonancia de buena parte de las cosas que se mov\u00edan en el mundo de la cultura. Pero la desidencia cultural en una dictadura se convierte necesariamente en pol\u00edtica, y la disidencia pol\u00edtica m\u00e1s radical en la \u00e9poca en la que nos movemos la aglutinaba el pce, en el que militaron algunos de los socios e intelectuales afines. Por otra parte, anank\u00e9 a ra\u00edz de \u00c2\u00a1bienvenido, mr. Marshall!, Se convirti\u00f3, fuera de espa\u00f1a, en un referente y en una empresa prestigiosa dentro de ciertos \u00e1mbitos de los medios cinematogr\u00e1ficos internacionales. Entre su producci\u00f3n hay dos joyas de nuestras cultura -\u00c2\u00a1bienvenido, mr. Marshall! Y virgiliana- as\u00ed como otras pel\u00edculas notales y documentales y proyectos de gran inter\u00e9s, persiguiendo en ella una l\u00ednea cine de calidad. El trabajo cubre todos esos aspectos empresariales, culturales, pol\u00edticos, tratando de deslindarlos as\u00ed como de presentar la interacci\u00f3n de los mismos, al tiempo que ha permitido de forma indirecta y en negativo contemplar aspectos increpantes del franquismo a trav\u00e9s de abundante documentaci\u00f3n in\u00e9dita procedente de diversos archivos.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Uninci: cine y oposici\u00f3n pol\u00edtica bajo el franquismo<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Uninci: cine y oposici\u00f3n pol\u00edtica bajo el franquismo <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Alicia Salvador Mara\u00f1\u00f3n <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Aut\u00f3noma de Madrid<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 12\/09\/2002<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Alberto Elena D\u00edaz<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: roman Gubern garriga-nogu\u00e9s <\/li>\n<li> Garc\u00eda fern\u00e1ndez Emilio Carlos (vocal)<\/li>\n<li>vicente S\u00e1nchez-brosoa (vocal)<\/li>\n<li>valeria Camporesi lami (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Alicia Salvador Mara\u00f1\u00f3n La tesis aborda el estudio de una emblem\u00e1tica productora cinematogr\u00e1fica espa\u00f1ola entre su origen [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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