{"id":19077,"date":"2018-03-09T09:07:56","date_gmt":"2018-03-09T09:07:56","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/la-vida-musical-en-santiago-de-compostela-a-finales-del-siglo-xix-1875-1900\/"},"modified":"2018-03-09T09:07:56","modified_gmt":"2018-03-09T09:07:56","slug":"la-vida-musical-en-santiago-de-compostela-a-finales-del-siglo-xix-1875-1900","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/ciencias-de-las-artes-y-las-letras\/la-vida-musical-en-santiago-de-compostela-a-finales-del-siglo-xix-1875-1900\/","title":{"rendered":"La vida musical en santiago de compostela a finales del siglo xix (1875-1900)"},"content":{"rendered":"<h2>Tesis doctoral de <strong>  Garc\u00eda Caballero M. Jos\u00e9 <\/strong><\/h2>\n<p>Analiza la situaci\u00f3n de la capilla de m\u00fasica de la catedral, su organizaci\u00f3n y actividades.  estudia los distintos espacios de sociabilidad en los que vr realizan actividades musicales: paseos, salones privados, caf\u00e9s, teatro, asimismo estudia las fiestas principales y el carnaval.  dedica un cap\u00edtulo a las temporadas de zarzuela y \u00f3pera analizando la evoluci\u00f3n de los repertorios y la respuesta del p\u00fablico.  se aborda el estudio de la evoluci\u00f3n de la &#8211;, las agrupaciones musicales m\u00e1s destacadas, los orfo&#8211; y las sociedades de recreo en el marco de asociacionismo decimon\u00f3nico.  incluye adem\u00e1s un an\u00e1lisis de la m\u00fasica en la prensa peri\u00f3dica: cr\u00edtica, art\u00edculos y anuncios.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>La vida musical en santiago de compostela a finales del siglo xix (1875-1900)<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 La vida musical en santiago de compostela a finales del siglo xix (1875-1900) <\/li>\n<li><strong>Autor:<\/strong>\u00a0  Garc\u00eda Caballero M. Jos\u00e9 <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Valladolid<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 20\/09\/2002<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Mar\u00eda Antonia Virgili Blanquet<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: Jes\u00fas M\u00aa Palomares iba\u00f1ez <\/li>\n<li>victoria Eli rodr\u00edguez (vocal)<\/li>\n<li>pilar Alen garbanzo (vocal)<\/li>\n<li> Ferrer ballester Mar\u00eda  teresa (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Garc\u00eda Caballero M. Jos\u00e9 Analiza la situaci\u00f3n de la capilla de m\u00fasica de la catedral, su organizaci\u00f3n [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[147,9132,1111,12451],"tags":[58786,58784,12716,9723,58785,27842],"class_list":["post-19077","post","type-post","status-publish","format-standard","hentry","category-ciencias-de-las-artes-y-las-letras","category-musica-y-musicologia","category-teoria-analisis-y-critica-de-las-bellas-artes","category-valladolid","tag-ferrer-ballester-maria-teresa","tag-garcia-caballero-m-jose","tag-jesus-ma-palomares-ibanez","tag-maria-antonia-virgili-blanquet","tag-pilar-alen-garbanzo","tag-victoria-eli-rodriguez"],"_links":{"self":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/19077","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/comments?post=19077"}],"version-history":[{"count":0,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/19077\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/media?parent=19077"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/categories?post=19077"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/tags?post=19077"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}