{"id":19176,"date":"2018-03-09T09:08:04","date_gmt":"2018-03-09T09:08:04","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/el-pasado-literario-en-la-obra-de-christoph-hein\/"},"modified":"2018-03-09T09:08:04","modified_gmt":"2018-03-09T09:08:04","slug":"el-pasado-literario-en-la-obra-de-christoph-hein","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/ciencias-de-las-artes-y-las-letras\/el-pasado-literario-en-la-obra-de-christoph-hein\/","title":{"rendered":"El pasado literario en la obra de christoph hein"},"content":{"rendered":"<h2>Tesis doctoral de <strong> Marta Fern\u00e1ndez Bueno <\/strong><\/h2>\n<p>La presente tesis doctoral propone el an\u00e1lisis de tres piezas del dramaturgo y novelista alem\u00e1n contempor\u00e1neo christoph hein, der neue menoza, die wahre geschichte des ah q y die ritter der tafelrunde. Todas ellas revelan caracter\u00edsticas similares que podemos estudiar desde la perspectiva de an\u00e1lisis de la intertextualidad, que constituye el enfoque metodol\u00f3gico de este estudio.  el trabajo presenta un primer bloque eminentemente te\u00f3rico, centrado en el planteamiento, definici\u00f3n y delimitaci\u00f3n del concepto de intertextualidad. en esa primera parte se analizan las diferentes corrientes y l\u00edneas de investigaci\u00f3n existents dentro de este campo, sin perder nunca de vista la orientaci\u00f3n hist\u00f3rico-social que gu\u00eda toda esta investigaci\u00f3n. Desde sus primeros atisbos en el dialogismo bajtiniano y posterior desarrollo por parte de julia kristeva, la intertextualidad queire revolucionar la ciencia literaria, sacarla de su inmovilismo y reinsertarla en la actividad humana art\u00edstica e intelectual. Propone la autor\u00eda \u00abuniversal\u00bb de los textos, la corresponsabilidad en su elaboraci\u00f3n de todos los textos y todos los autores anteriores a \u00e9l. La evoluci\u00f3n posterior de este concepto supone para algunos una \u00abdomesticaci\u00f3n\u00bb, una deformaci\u00f3n si se quiere, del car\u00e1cter revolucionario que le caracterizaban en un principio.  el segundo gran bloque de este trabajo se ocupa del an\u00e1lisis de tres obras en las que es patente el car\u00e1cter intertextual, si bien en cada una de ellas se manifiesta de forma distinta. Partiendo de la reelaboraci\u00f3n de un cl\u00e1sico de la literatura alemana, la obra de j.M.R. Lenz der neue menoza oder die geschiche des cumbanischen prinzen tandi, pasando luego por la dramatizaci\u00f3n de la novela del autor chino lu sin die wahre geschiche des ah q hasta llegar por fin a la reelaboraci\u00f3n de un cl\u00e1sico de la literatura univesal, como es la corte del rey arturo en die ritter der tadelrunde.  el an\u00e1lisis poetol\u00f3gico de l<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>El pasado literario en la obra de christoph hein<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 El pasado literario en la obra de christoph hein <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Marta Fern\u00e1ndez Bueno <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Complutense de Madrid<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 26\/09\/2002<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Jaime Cerrolaza Asenjo<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: Luis angel Acosta gomez <\/li>\n<li>Manuel Maldonado aleman (vocal)<\/li>\n<li>Carlos Alberto Fortea gil (vocal)<\/li>\n<li>Jos\u00e9 Mar\u00eda Ripalda crespo (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Marta Fern\u00e1ndez Bueno La presente tesis doctoral propone el an\u00e1lisis de tres piezas del dramaturgo y novelista [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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