{"id":19355,"date":"2002-04-10T00:00:00","date_gmt":"2002-04-10T00:00:00","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/analisis-instrumental-de-la-imagen-en-movimiento-ritmo-sincresis-y-atencion-visual\/"},"modified":"2002-04-10T00:00:00","modified_gmt":"2002-04-10T00:00:00","slug":"analisis-instrumental-de-la-imagen-en-movimiento-ritmo-sincresis-y-atencion-visual","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/analisis-instrumental-de-la-imagen-en-movimiento-ritmo-sincresis-y-atencion-visual\/","title":{"rendered":"An\u00e1lisis instrumental de la imag\u00e9n en movimiento: ritmo sincresis y atenci\u00f3n visual"},"content":{"rendered":"<h2>Tesis doctoral de <strong> Armando Bulcao <\/strong><\/h2>\n<p>El trabajo experimental investiga la relaci\u00f3n entre aspectos formales del mensaje audiovisual y procesos perceptivos involucrados en la movilizaci\u00f3n de la atenci\u00f3n visual del sujeto receptor.  a partir de la formulaci\u00f3n de un modelo para descripci\u00f3n del movimiento visual en secuencias de cuadros, en el contexto de un an\u00e1lisis instrumental del mensaje, se busca por un lado identificar caracter\u00edsticas que favorezcan la ocurrencia de sincronismos audiovisuales. Por otro, en el \u00e1mbito de la recepci\u00f3n, a partir de la identificaci\u00f3n de sus variables visuales, el sincronismo es investigado como factor influyente en la exploraci\u00f3n visual que realiza el receptor de cante de la pantalla.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>An\u00e1lisis instrumental de la imag\u00e9n en movimiento: ritmo sincresis y atenci\u00f3n visual<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 An\u00e1lisis instrumental de la imag\u00e9n en movimiento: ritmo sincresis y atenci\u00f3n visual <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Armando Bulcao <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Aut\u00f3noma de barcelona<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 04\/10\/2002<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>\u00e1ngel Rodr\u00edguez<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: nicol\u00e1s Lorite Garc\u00eda <\/li>\n<li>xavier Binefa (vocal)<\/li>\n<li>Luis Gonlaga (vocal)<\/li>\n<li>Jos\u00e9 Ig\u00e1rtua Juan (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Armando Bulcao El trabajo experimental investiga la relaci\u00f3n entre aspectos formales del mensaje audiovisual y procesos perceptivos [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[1],"tags":[59491,59490,59494,59493,44656,59492],"class_list":["post-19355","post","type-post","status-publish","format-standard","hentry","category-sin-categoria","tag-angel-rodriguez","tag-armando-bulcao","tag-jose-igartua-juan","tag-luis-gonlaga","tag-nicolas-lorite-garcia","tag-xavier-binefa"],"_links":{"self":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/19355","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/comments?post=19355"}],"version-history":[{"count":0,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/19355\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/media?parent=19355"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/categories?post=19355"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/tags?post=19355"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}