{"id":19590,"date":"2018-03-09T09:08:36","date_gmt":"2018-03-09T09:08:36","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/las-artes-plasticas-y-la-vida-arta%c2%adstica-en-zaragoza-1947-1961-aportaciones-documentales\/"},"modified":"2018-03-09T09:08:36","modified_gmt":"2018-03-09T09:08:36","slug":"las-artes-plasticas-y-la-vida-arta%c2%adstica-en-zaragoza-1947-1961-aportaciones-documentales","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/zaragoza\/las-artes-plasticas-y-la-vida-arta%c2%adstica-en-zaragoza-1947-1961-aportaciones-documentales\/","title":{"rendered":"Las artes pl\u00e1sticas y la vida art\u00edstica en zaragoza (1947-1961). aportaciones documentales"},"content":{"rendered":"<h2>Tesis doctoral de <strong>  Sep\u00falveda Sauras M. Isabel <\/strong><\/h2>\n<p>Este trabajo doctoral aborda una reconstrucci\u00f3n de la historia art\u00edstica comprendida entre las fechas clave de 1947 (irrupci\u00f3n del grupo p\u00f3rtico) y 1961 (surgimiento de una nueva \u00abescuela de zaragoza\u00bb de pintura abstracta).  una etapa de cultura art\u00edstica bajo el franquismo que se ha dado en llamar \u00abarte de los cincuenta\u00bb, plagada de contradicciones, de opciones individuales y colectivas del m\u00e1s variado signo y no exenta de enfrentamientos entre la m\u00e1s pura tradici\u00f3n y las tendencias m\u00e1s innovadoras.  en un intento de reflejar una historia total, el estudio se centra en analizar y valorar el papel desempe\u00f1ado en la promoci\u00f3n y patrocinio de las artes por las instituciones locales, las v\u00edas de la pol\u00edtica oficial y la iniciativa privada, sin descuidar el tratamiento de la arquitectura, la escultura y las artes decorativas de la \u00e9poca.  utiliza para ello las fuentes hemerogr\u00e1ficas (peri\u00f3dicos amanecer, heraldo de arag\u00f3n, el noticiero y la hoja del lunes); los documentales, procedentes de siete archivos de la ciudad, y testimoniales, a trav\u00e9s de la entrevista directa realizada a diversos protagonistas del arte y de la cultura de aquella \u00e9poca. El estudio se completa con un corpus documental y la realizaci\u00f3n de un ap\u00e9ndice catalogr\u00e1fico que recoge m\u00e1s de dos mil cien noticias art\u00edsticas.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Las artes pl\u00e1sticas y la vida art\u00edstica en zaragoza (1947-1961). aportaciones documentales<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Las artes pl\u00e1sticas y la vida art\u00edstica en zaragoza (1947-1961). aportaciones documentales <\/li>\n<li><strong>Autor:<\/strong>\u00a0  Sep\u00falveda Sauras M. Isabel <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Zaragoza<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 23\/10\/2002<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Manuel Garc\u00eda Guatas<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: gonzalo Borras gualis <\/li>\n<li>catalina Cantarellas camps (vocal)<\/li>\n<li> Ruiz carnicer Miguel angel (vocal)<\/li>\n<li>adelina Moya valga\u00f1\u00f3n (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Sep\u00falveda Sauras M. Isabel Este trabajo doctoral aborda una reconstrucci\u00f3n de la historia art\u00edstica comprendida entre las [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[13610],"tags":[28158,3685,5824,28798,52530,60082],"class_list":["post-19590","post","type-post","status-publish","format-standard","hentry","category-zaragoza","tag-adelina-moya-valganon","tag-catalina-cantarellas-camps","tag-gonzalo-borras-gualis","tag-manuel-garcia-guatas","tag-ruiz-carnicer-miguel-angel","tag-sepulveda-sauras-m-isabel"],"_links":{"self":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/19590","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/comments?post=19590"}],"version-history":[{"count":0,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/19590\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/media?parent=19590"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/categories?post=19590"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/tags?post=19590"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}