{"id":20004,"date":"2018-03-09T09:09:11","date_gmt":"2018-03-09T09:09:11","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/entre-espejos-y-disfraces-representaciones-de-lo-popular-en-la-narrativa-venezolana-del-siglo-xix\/"},"modified":"2018-03-09T09:09:11","modified_gmt":"2018-03-09T09:09:11","slug":"entre-espejos-y-disfraces-representaciones-de-lo-popular-en-la-narrativa-venezolana-del-siglo-xix","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/entre-espejos-y-disfraces-representaciones-de-lo-popular-en-la-narrativa-venezolana-del-siglo-xix\/","title":{"rendered":"Entre espejos y disfraces. representaciones de lo popular en la narrativa venezolana del siglo xix"},"content":{"rendered":"<h2>Tesis doctoral de <strong> Alvaro Contreras Berbesi <\/strong><\/h2>\n<p>En la formaci\u00f3n del imaginario venezolano, las preguntas sobre lo que se desea como naci\u00f3n exigir\u00e1 de forma simult\u00e1nea el diagn\u00f3stico de los \u00f3rdenes pol\u00edticos, sociales, y econ\u00f3micos que se tienen, bien sea para reconducir los planes de desarrollo en el vasto territorio nacional, o desplazar los \u00abestigmas\u00bb que obstaculizan la organizaci\u00f3n del progreso. Las propiedades de las respuestas estar\u00e1n guiadas, en ambos casos, por una referencialidad a ella como identidad corporal en cuya superficie se imaginan fronteras, fluidos, materias, latitudes, entradas y salidas. La presente tesis doctoral estudia la forma c\u00f3mo diversos escritores, desde diversos espacios de publicaciones -revistas, peri\u00f3dicos, novelas-, trazaron im\u00e1genes de la sociedad venezolana en claves metaf\u00f3ricas de los popular.  para esto, tenemos en cuenta el cruzamiento de lenguajes que viabiliza la inserci\u00f3n, tanto de los letrados venezolanos como de su producci\u00f3n simb\u00f3lica, en el tejido cultural y pol\u00edtico de la \u00e9poca, as\u00ed como el tramado ideol\u00f3gico resultante de esta convivencia conflictiva de saberes y discursos. Desde estos dos primeros pasos, se proyectan diversas construcciones de lo social y lo popular. Abordar la construcci\u00f3n de esos \u00edconos, y su despliegue por todos los espacios de la cultura, es el principal objetivo a desarrollar en este trabajo.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Entre espejos y disfraces. representaciones de lo popular en la narrativa venezolana del siglo xix<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Entre espejos y disfraces. representaciones de lo popular en la narrativa venezolana del siglo xix <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Alvaro Contreras Berbesi <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Universitat de val\u00e9ncia (estudi general)<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 18\/11\/2002<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Sonia Mattal\u00eda Alonso<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: v\u00edctor Bravo arteaga <\/li>\n<li>Francisco Tovar blanco (vocal)<\/li>\n<li>teodosio Fernandez rodriguez (vocal)<\/li>\n<li>nuria Girona fibla (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Alvaro Contreras Berbesi En la formaci\u00f3n del imaginario venezolano, las preguntas sobre lo que se desea como [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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