{"id":2072,"date":"1994-01-01T00:00:00","date_gmt":"1994-01-01T00:00:00","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/1994\/01\/01\/el-arte-de-los-franciscanos-y-las-clarisas-en-asturias-de-la-fundacion-a-la-desamortizacion\/"},"modified":"1994-01-01T00:00:00","modified_gmt":"1994-01-01T00:00:00","slug":"el-arte-de-los-franciscanos-y-las-clarisas-en-asturias-de-la-fundacion-a-la-desamortizacion","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/historia\/el-arte-de-los-franciscanos-y-las-clarisas-en-asturias-de-la-fundacion-a-la-desamortizacion\/","title":{"rendered":"El arte de los franciscanos y las clarisas en asturias. de la fundacion a la desamortizacion"},"content":{"rendered":"<h2>Tesis doctoral de <strong>  Alonso Alvarez M. Raquel <\/strong><\/h2>\n<p>El proposito de esta tesis es revisar las manifestaciones artisticas relacionadas con la orden franciscana en asturias, desde la fundacion de sus conventos hasta la desamortizacion. Para ello he seguido dos lineas prioritarias de investigacion:  en primer lugar, las relaciones entre los conventos y sus patrones y la seleccion artistica, talleres y maestros que intervinieron en sus estructuras. Durante la edad media, como pertenecientes a la provincia de santiago, son los talleres gallegos los principales suministradores de modelos, para pasar a realizar sus encargos en epoca moderna a los maestros que trabajaban habitualmente en el principado.  en segundo lugar, el periodo seleccionado permitio seguir la evolucion de los conjuntos conventuales en relacion con las transformaciones religiosas.  finalmente, tambien fueron investigados los conventos femeninos, la relacion de las cofradias con los conventos y las fundaciones de epoca moderna.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>El arte de los franciscanos y las clarisas en asturias. de la fundacion a la desamortizacion<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 El arte de los franciscanos y las clarisas en asturias. de la fundacion a la desamortizacion <\/li>\n<li><strong>Autor:<\/strong>\u00a0  Alonso Alvarez M. Raquel <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Oviedo<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 01\/01\/1994<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Mar\u00eda  Soledad Alvarez Martinez<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: Manuel Nu\u00f1ez  Rodriguez <\/li>\n<li>German Ramallo Asensio (vocal)<\/li>\n<li>Isidro Bango Torviso (vocal)<\/li>\n<li>Francisco Javier Fern\u00e1ndez Conde (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Alonso Alvarez M. Raquel El proposito de esta tesis es revisar las manifestaciones artisticas relacionadas con la [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[104,1014,222,8846],"tags":[8859,2818,8187,8861,2661,8860],"class_list":["post-2072","post","type-post","status-publish","format-standard","hentry","category-historia","category-historia-del-arte","category-historias-especializadas","category-oviedo","tag-alonso-alvarez-m-raquel","tag-francisco-javier-fernandez-conde","tag-german-ramallo-asensio","tag-isidro-bango-torviso","tag-manuel-nunez-rodriguez","tag-maria-soledad-alvarez-Martinez"],"_links":{"self":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/2072","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/comments?post=2072"}],"version-history":[{"count":0,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/2072\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/media?parent=2072"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/categories?post=2072"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/tags?post=2072"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}