{"id":21167,"date":"2018-03-09T09:10:49","date_gmt":"2018-03-09T09:10:49","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/andres-lorente-estudio-estetico-transcripcion-y-edicion-de-el-porque-de-la-musica\/"},"modified":"2018-03-09T09:10:49","modified_gmt":"2018-03-09T09:10:49","slug":"andres-lorente-estudio-estetico-transcripcion-y-edicion-de-el-porque-de-la-musica","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/zaragoza\/andres-lorente-estudio-estetico-transcripcion-y-edicion-de-el-porque-de-la-musica\/","title":{"rendered":"Andr\u00e9s lorente: estudio est\u00e9tico, transcripci\u00f3n y edici\u00f3n de \u00abel porqu\u00e9 de la m\u00fasica\u00bb"},"content":{"rendered":"<h2>Tesis doctoral de <strong>  Lahera Aineto Jos\u00e9 Manuel <\/strong><\/h2>\n<p>Como hip\u00f3tesis de partida, se ha tomado el tratado te\u00f3rico-pr\u00e1ctico musical \u00abel porqu\u00e9 de la m\u00fasica\u00bb (1672-1699) de andr\u00e9 slorente (1624-1703). Para su estudio est\u00e9tico, transcripci\u00f3n, actualizaci\u00f3n, y edici\u00f3n de textos musicales en formato de cd. Andr\u00e9s lorente, reconocido como uno de los grandes tratanistas espa\u00f1oles del s. Xvii. Junto a cerone y nassarre, es depostiario, como as\u00ed lo manifiesta en su \u00abindex de autores ..\u00bb De un excelente legado anterior que comprende autores formulados desde bartolom\u00e9 ramos pareja y domingo marcos dur\u00e1n (s. Xv), a Martinez de bizcargui, juan bermudo, francisco salinas o francisco montanos (s. Xvi). Se manifiesta como persona polifac\u00e9tica en su actividad intelectual, y es resaltado como tratanista, investigador, compositor, organero, organista, profesor de universidad, m\u00fasico te\u00f3rico y pr\u00e1ctico. T\u00e9cnicamente el tratado supone aplicar la pr\u00e1ctica habitual musical del siglo xviii a la teor\u00eda tradicional y de su tiempo analizando temas tan importantes como: g\u00e9nero, armon\u00eda, clausulas, superaci\u00f3n del sistema hexacoroal, intervalos estudio de la notaci\u00f3n mensual: compasimodo, tiempo, prolaci\u00f3n, proporci\u00f3n y sexquialtera, consonancias y disonancias, ac\u00fastica y teor\u00eda modal. Est\u00e9ticamente supuso un cambio generacional entre modelos tradicionales y nuevos valores que revalorizar\u00e1n la creaci\u00f3n musical y definir\u00e1n la m\u00fasica como matem\u00e1tica y prosodia, ciencia y arte, inspiraci\u00f3n y creaci\u00f3n, mito y m\u00edmesis, expresi\u00f3n o dimensi\u00f3n social de la t\u00e9cnica art\u00edstica.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Andr\u00e9s lorente: estudio est\u00e9tico, transcripci\u00f3n y edici\u00f3n de \u00abel porqu\u00e9 de la m\u00fasica\u00bb<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Andr\u00e9s lorente: estudio est\u00e9tico, transcripci\u00f3n y edici\u00f3n de \u00abel porqu\u00e9 de la m\u00fasica\u00bb <\/li>\n<li><strong>Autor:<\/strong>\u00a0  Lahera Aineto Jos\u00e9 Manuel <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Zaragoza<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 14\/01\/2003<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Daniel Innerarity Grau<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: joaqu\u00edn Lomba fuentes <\/li>\n<li>Antonio Esquerro esteban (vocal)<\/li>\n<li>Jos\u00e9 vicente Gonz\u00e1lez valle (vocal)<\/li>\n<li>Jos\u00e9 Luis De la fuente charfol\u00e9 (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Lahera Aineto Jos\u00e9 Manuel Como hip\u00f3tesis de partida, se ha tomado el tratado te\u00f3rico-pr\u00e1ctico musical \u00abel porqu\u00e9 [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[13610],"tags":[64023,17910,28162,58894,9136,64022],"class_list":["post-21167","post","type-post","status-publish","format-standard","hentry","category-zaragoza","tag-antonio-esquerro-esteban","tag-daniel-innerarity-grau","tag-joaquin-lomba-fuentes","tag-jose-luis-de-la-fuente-charfole","tag-jose-vicente-gonzalez-valle","tag-lahera-aineto-jose-manuel"],"_links":{"self":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/21167","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/comments?post=21167"}],"version-history":[{"count":0,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/21167\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/media?parent=21167"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/categories?post=21167"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/tags?post=21167"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}