{"id":21394,"date":"2018-03-09T09:11:09","date_gmt":"2018-03-09T09:11:09","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/espana-belgica-el-teatro-de-michel-de-ghelderode-a-la-luz-del-esperpento-de-valle-inclan\/"},"modified":"2018-03-09T09:11:09","modified_gmt":"2018-03-09T09:11:09","slug":"espana-belgica-el-teatro-de-michel-de-ghelderode-a-la-luz-del-esperpento-de-valle-inclan","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/linguistica\/espana-belgica-el-teatro-de-michel-de-ghelderode-a-la-luz-del-esperpento-de-valle-inclan\/","title":{"rendered":"Espa\u00f1a\/b\u00e9lgica: el teatro de michel de ghelderode a la luz del \u00abesperpento\u00bb de valle-incl\u00e1n"},"content":{"rendered":"<h2>Tesis doctoral de <strong> Mar\u00eda  Jes\u00fas Pacheco Caballero <\/strong><\/h2>\n<p>Este trabajo es un estudio sobre la obra del dramaturgo belga michel de ghelderode (1898-1962).  partiendo de la teor\u00eda de los polisistemas (even-zohar), y de los fen\u00f3menos del polig\u00e9nesis, se analiza la obra de ghelderode no en la relaci\u00f3n con el referente de la literatura francesa producida en francia, sino introduciendo claves hisp\u00e1nicas para su estudio.  as\u00ed, se analiza la obra de ghelderode desde el punto de vista de la est\u00e9tica del \u00abesperpento\u00bb de valle-incl\u00e1n, y se llega a la conclusi\u00f3n de que ambos autores presentan similitudes est\u00e9ticas por la influencia del e\u00f3n barroco hisp\u00e1nico (f.R., De la flor).<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Espa\u00f1a\/b\u00e9lgica: el teatro de michel de ghelderode a la luz del \u00abesperpento\u00bb de valle-incl\u00e1n<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Espa\u00f1a\/b\u00e9lgica: el teatro de michel de ghelderode a la luz del \u00abesperpento\u00bb de valle-incl\u00e1n <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Mar\u00eda  Jes\u00fas Pacheco Caballero <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Extremadura<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 29\/01\/2003<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Ana Gonz\u00e1lez Salvador<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal:  Fern\u00e1ndez cardo Jos\u00e9 Mar\u00eda <\/li>\n<li>Francisco Torres monreal (vocal)<\/li>\n<li>ramiro Mart\u00edn hern\u00e1ndez (vocal)<\/li>\n<li>dolores Picaro gonz\u00e1lez (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Mar\u00eda Jes\u00fas Pacheco Caballero Este trabajo es un estudio sobre la obra del dramaturgo belga michel de [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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