{"id":22158,"date":"2018-03-09T09:12:13","date_gmt":"2018-03-09T09:12:13","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/estructuras-fa%c2%adsicas-y-geograficas-del-santuario\/"},"modified":"2018-03-09T09:12:13","modified_gmt":"2018-03-09T09:12:13","slug":"estructuras-fa%c2%adsicas-y-geograficas-del-santuario","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/historia\/estructuras-fa%c2%adsicas-y-geograficas-del-santuario\/","title":{"rendered":"Estructuras f\u00edsicas y geogr\u00e1ficas del santuario"},"content":{"rendered":"<h2>Tesis doctoral de <strong>  Roa Cachero M. Inmaculada <\/strong><\/h2>\n<p>Esta tesis estudia cuatro obras singulares realizadas en tiempos y situaciones bien distintas: la capilla de ronchamp, el tempo situado en el monte cumas, el templo emplazado en petra y el cementerio sur de estocolmo. El trabajo analiza aquellas caracter\u00edsticas que acercan estas obras excepcionales a la intensidad y la altura de aquellos lugares que conocemos como santurarios. la existencia dela baton, del t\u00e9menos y del omphalos, las estructuras f\u00edsicas y geogr\u00e1ficas de un territorio o lugar cuya intensidad estas mismas obras contribuyen, con su presencia, a poner de relieve.  se asiste a la descripci\u00f3n de las presencias que van encontrando en su camino o peregrinaci\u00f3n el visitante de estos sacros lugares: los caminos zigzagueantes, las espirales, los flujos, reflujos y torbellinos, las aceleraciones y deceleraciones que lo acercan y lo confunden.  acompa\u00f1an al texto delicadas acuarelas, plantas alzados y secciones de estos lugares.  termina con breves observaciones sobre otros lugares de \u00edndoel parecida: selinonte, delfos, teotihuacan, stonenge, machu-picchu, la tourette.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Estructuras f\u00edsicas y geogr\u00e1ficas del santuario<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Estructuras f\u00edsicas y geogr\u00e1ficas del santuario <\/li>\n<li><strong>Autor:<\/strong>\u00a0  Roa Cachero M. Inmaculada <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Polit\u00e9cnica de Madrid<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 21\/03\/2003<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Juan Navarro Baldeweg<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: manuel L\u00f3pez-pelaez jose <\/li>\n<li> Vidal vidal vicente m (vocal)<\/li>\n<li>gonzalo D\u00edaz recasens (vocal)<\/li>\n<li>Alberto Ustarroz calatayud (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Roa Cachero M. Inmaculada Esta tesis estudia cuatro obras singulares realizadas en tiempos y situaciones bien distintas: [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[4509,147,12564,104,1745,222,16008],"tags":[66410,53821,16813,66408,66407,66409],"class_list":["post-22158","post","type-post","status-publish","format-standard","hentry","category-arquitectura","category-ciencias-de-las-artes-y-las-letras","category-diseno-arquitectonico","category-historia","category-historia-de-la-arquitectura","category-historias-especializadas","category-politecnica-de-madrid","tag-alberto-ustarroz-calatayud","tag-gonzalo-diaz-recasens","tag-juan-navarro-baldeweg","tag-manuel-lopez-pelaez-jose","tag-roa-cachero-m-inmaculada","tag-vidal-vidal-vicente-m"],"_links":{"self":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/22158","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/comments?post=22158"}],"version-history":[{"count":0,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/22158\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/media?parent=22158"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/categories?post=22158"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/tags?post=22158"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}