{"id":22189,"date":"2018-03-09T09:12:15","date_gmt":"2018-03-09T09:12:15","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/la-pintura-en-la-arquitectura\/"},"modified":"2018-03-09T09:12:15","modified_gmt":"2018-03-09T09:12:15","slug":"la-pintura-en-la-arquitectura","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/politecnica-de-catalunya\/la-pintura-en-la-arquitectura\/","title":{"rendered":"La pintura en la arquitectura"},"content":{"rendered":"<h2>Tesis doctoral de <strong> Jorge Beltr\u00e1n Raigoza <\/strong><\/h2>\n<p>La tesis surge de un inter\u00e9s por estudiar la improtancia de la pintura constructivo, pues desde tiempo inmemorial ha sido utilizada, y en la mayor\u00eda de los proyectos actuales la han empleado por razones de protecci\u00f3n u ornamentaci\u00f3n.  la investigaci\u00f3n se estructura en cinco partes, analizando paralelamente los hechos relevantes de la evoluci\u00f3n tecnolog\u00eda de la pintura y su trayectoria en la arquitectura moderna.  primera parte (1779-1851)  partimos de la revoluci\u00f3n industrial, el sector de la construcci\u00f3n promueve el uso de materiales libremente expuestos como el hierro, y fen\u00f3menos como el descubrimiento de la policrom\u00eda cl\u00e1sica conllevan al resurgimiento de la importancia del color saturado. Este hecho puede verse reflejado en la construcci\u00f3n del crystal palace (1850-1851).  segunda parte (1852-1914)  las innovaciones tecnol\u00f3gicas de la pintura promueven el establecimiento de nuevas f\u00e1bricas y la contrataci\u00f3n de expertos qu\u00edmicos. En la arquitectura se busca restablecer el valor del color saturado con t\u00e9cnicas de mayor durabilidad, pero las tendencias antiornamentalistas limitan la aplicaci\u00f3n de la pintura in situ s\u00f3lo a cuestiones de protecci\u00f3n. El final de este periodo lo enmarca el inicio de la primera guerra mundial, con cambios en la fabricaci\u00f3n de productos innovadores.  tercera parte (1915-1939)  los avances tecnol\u00f3gicos referidos a los primeros aglutinantes derivados de la s\u00edntesis org\u00e1nica y el uso de pigmentos innovadores, mejoran las propiedades de la pintura. La difusi\u00f3n de las vanguardias art\u00edsticas a favor del uso funcional del color saturado, influyen en la promoci\u00f3n de la pintura como el medio m\u00e1s viable para aplicar color.  cuarta parte (1940-1973)  los avances tecnol\u00f3gicos en los ligantes sint\u00e9ticos permiten la aparici\u00f3n de sistemas termopl\u00e1sticos y termoestables. Aunque el desarrollo de la arquitectura brutalista se manifiesta m\u00e1s a favor de la tonalidades propias de los ma<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>La pintura en la arquitectura<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 La pintura en la arquitectura <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Jorge Beltr\u00e1n Raigoza <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Polit\u00e9cnica de catalunya<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 21\/03\/2003<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Fernando Juan Ramos Galino<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: jaume Avellaneda diaz grande <\/li>\n<li>cyrille Simonnet (vocal)<\/li>\n<li>vicente Galv\u00e1n llopis (vocal)<\/li>\n<li>Miguel Usandizaga calparsoro (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Jorge Beltr\u00e1n Raigoza La tesis surge de un inter\u00e9s por estudiar la improtancia de la pintura constructivo, [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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